美國(guó)文學(xué)選讀

出版時(shí)間:2012-6  出版社:北京大學(xué)出版社  作者:陶潔 編  頁(yè)數(shù):271  字?jǐn)?shù):590000  

內(nèi)容概要

陶潔編著的《美國(guó)文學(xué)選讀》是《求知高等學(xué)校英語(yǔ)專(zhuān)業(yè)系列教材》的一部分,旨在為英語(yǔ)專(zhuān)業(yè)高年級(jí)學(xué)生、美國(guó)文學(xué)愛(ài)好者和研究者提供一片園地,用以學(xué)習(xí)和研究美國(guó)文學(xué),提高文學(xué)素養(yǎng),開(kāi)拓視野,陶冶情操。《高等學(xué)校英語(yǔ)專(zhuān)業(yè)系列教材:美國(guó)文學(xué)選讀》是一本集歷史、文本、批評(píng)理論于一書(shū)的文學(xué)選讀教材。該書(shū)介紹了美國(guó)自殖民地時(shí)期到20世紀(jì)末的歷史文化背景和各個(gè)時(shí)期的文藝思潮以及代表作家和他們的代表著作。本書(shū)按照美國(guó)文學(xué)的發(fā)展分九章,每章包括歷史文化背景簡(jiǎn)介、作家作品選讀、文學(xué)聚焦、閱讀與欣賞和時(shí)代之聲5個(gè)部分。精簡(jiǎn)而豐富的注釋、引導(dǎo)自主性研究的思考題能有效幫助讀者加深對(duì)所選作品的理解和鑒賞。

書(shū)籍目錄

前言
緒論
第一單元
Benjamin Franklin(1706-1790)本杰明·富蘭克林
Autobiography
第二單元
Ralph Waldo Emeon(1803-1882)拉爾夫·華爾多·愛(ài)默生
Self-Reliance
Henry David Thoreau(1817-1862)亨利·大衛(wèi)·梭羅
Walden
第三單元
Nathaniel Hawthorne(1804-1864)納撒尼爾·霍桑
Ethan Brand
第四單元
Herman Melville(1819-1891)赫爾曼·梅爾維爾
Moby—Dick
第五單元
Walt Whitman(1819-1892)沃爾特·惠特曼
Song ofMyself(I,II,VI&LII)
Emily Dickion(1830-1886)埃米莉·狄金森
Hope
Because I Could Not Stop for Death
EdgarAllanPoe(1809-1849)埃德加·愛(ài)倫·坡
The Raven
第六單元
Mark Twain(1835-1910)馬克·吐溫
OnWilliam Dean Howells
第七單元
HenryJames(1843-1916)亨利·詹姆斯
The Real Thing
第八單元
Ezra Pound(1885-1972)艾茲拉·龐德
A Girl
Wallace Steve(1879-1955)華萊士·史蒂文斯
The Snow Mall“
RobertFrost(1874-1963)羅伯特·弗羅斯特
Love andA Question
William Carlos Williams(1883-1963)威廉·卡洛斯·威廉斯
The Uses ofPoetry
LangstonHughes(1902-1967)蘭斯頓·休斯
The Weary Blues
第九單元
Eugene Gladstone ONeill(1888—1953)尤金·格拉斯通·奧尼爾
Long DayS Journey into Night
第十單元
F.Scott Fitzgerald(1896-1940)弗·斯科特·菲茨杰拉德
Winter Dreams
第十一單元
William Faulkner(1897-1962)威廉·??思{
Bam Burning
第十二單元
ErnestHemingway(1899-1961)厄內(nèi)斯特·海明威
Hills Like White Elephants
第十三單元
Ralph(Waldo)Ellison(1914-1994)拉爾夫·埃里森
King ofthe Bingo Game
第十四單元
JohnUpdike(1932-2009)約翰·厄普代克
Separating
第十五單元
SaulBellow(1915-2005)索爾-貝婁
A Silver Dish
第十六單元
RobertHayden(1913-1980)羅伯特-海登
Those Winter Sundays
RobertLowell(1917—1977)羅伯特·洛威爾
Man and Wife
Allen Giberg(1926-1997)艾倫·金斯堡
On the Conduct ofthe World Seeking BeautyAgait Government
Robert Creeley(1926-2005)羅伯特·克里萊
Water Music
SylviaPlath(1932-1963)西爾維婭·普拉斯
Last Words
第十七單元
Edward Franklin Albee(1928- )愛(ài)德華·富蘭克林·阿爾比
WhoSAfraid ofVirginiaWoolf?
第十八單元
Toni Morrison(193l- )托妮·莫里森
Beloved
第十九單元
Maxine Hong Kingston(1940- )湯亭亭
The Woman Warrior
第二十單元
LeslieMarmonSilko(1948- )萊絲莉·摩門(mén)-西爾柯
Lullaby
第二十一單元
RobertBly(1926一)羅伯特·布萊
The Buried Ttain
John Ashbery(1927- )約翰·阿什貝利
AndUtPicturaPoesisIsHorName
Adrienne Rich(1929- )艾德里安娜·里奇
Diving into the Wreck
RobertPiky(1940- )羅伯特·平斯基
TO Television
Rita Dove(1952- )麗塔·達(dá)夫
My Mother Ente the Work Force
Gary Soto(1952一)加里·索托
Mexica Begin Jogging
How Things Work
第二十二單元
DavidAlanMamet(1947- )大衛(wèi)·艾倫·馬麥特
Oleanna

章節(jié)摘錄

  Self-Reliance (Excerpt) I read the other day some verses written by an eminent painter which were original and not conventional.The soul always hears an admonition in such lines, let the subject be what it may.The sentiment they instil is of more value than any thought they may contain.To believe your own thought, to believe that what is true for you in your private heart is true for all men, —that is genius.Speak your latent conviction, and it shall be the universal sense; for the inmost in due time becomes the outmost, —and our first thought is rendered back to us by the trumpets of the Last Judgment.Familiar as the voice of the mind is to each, the highest merit we ascribe to Moses, Plato, and Milton is, that they set at naught books and traditions, and spoke not what men but what they thought.A man should learn to detect and watch that gleam of light which flashes across his mind from within, more than the lustre of the firmament of bards and sages.Yet he dismisses without notice his thought, because it is his.In every work of genius we recognize our own rejected thoughts:they come back to us with a certain alienated majesty.Great works of art have no more affecting lesson for us than this.They teach us to abide by our spontaneous impression with good-humored inflexibility then most when the whole cry of voices is on the other side.Else, tomorrow a stranger will say with masterly good sense precisely what we have thought and felt all the time, and we shall be forced to take with shame our own opinion from another.There is a time in every man' s education when he arrives at the conviction that envy is ignorance;that imitation is suicide; that he must take himself for better, for worse, as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given to him to till.The power which resides in him is new in nature, and none but he knows what that is which he can do, nor does he know until he has tried.Not for nothing one face, one character, one fact, makes much impression on him, and another none.This sculpture in the memory is not without preestablished harmony.The eye was placed where one ray should fall, that it might testify of that particular ray.We but half express ourselves, and are ashamed of that divine idea which each of us represents.It may be safely trusted as proportionate and of good issues, so it be faithfully imparted, but God will not have his work made manifest by cowards.A man is relieved and gay when he has put his heart into his work and done his best; but what he has said or done otherwise, shall give him no peace.It is a deliverance which does not deliver.In the attempt his genius deserts him; no muse befriends; no invention, no hope.Trust thyself:every heart vibrates to that iron string.Accept the place the divine providence has found for you, the society of your contemporaries, the connection of events.Great men have always done so, and confided themselves childlike to the genius of their age, betraying their perception that the absolutely trustworthy was seated at their heart, working through their hands, predominating in all their being.And we are now men, and must accept in the highest mind the same transcendent destiny; and not minors and invalids in a protected corner, not cowards fleeing before a revolution, but guides,redeemers, and benefactors, obeying the Almighty effort, and advancing on Chaos and the Dark.

圖書(shū)封面

評(píng)論、評(píng)分、閱讀與下載


    美國(guó)文學(xué)選讀 PDF格式下載


用戶評(píng)論 (總計(jì)16條)

 
 

  •   作為英語(yǔ)專(zhuān)業(yè)的學(xué)生,我比較推薦這本書(shū)。英美文學(xué)是英語(yǔ)學(xué)習(xí)中很重要的一部分,這本書(shū)收錄了美國(guó)文學(xué)史上很重要的十幾位作家的作品,這本書(shū)也可以作為平時(shí)英語(yǔ)閱讀閱讀的材料,拓展自己的詞匯量。另外,有些學(xué)校會(huì)使用這本書(shū)作為教材或者考研參考書(shū)目,總之多看沒(méi)有壞處,挺好的一本書(shū)。
  •   拿到書(shū)匆匆翻了幾頁(yè),覺(jué)得排版很不俗,陶潔是選讀的老牌子了。之前就有好多人買(mǎi)陶潔高攪拌的那本選讀,覺(jué)得那本也挺不錯(cuò)的。不過(guò)因?yàn)槭翘旖蛲甙瑖?guó)語(yǔ)大學(xué)的考研指定書(shū)目,好出就是這本書(shū)的作家內(nèi)容都很新,也是天津外國(guó)語(yǔ)大學(xué)的特點(diǎn)之一嘛。其次覺(jué)得這本書(shū)賞析挺好的,還是用中文評(píng),所以就是不是英語(yǔ)專(zhuān)業(yè)的看也沒(méi)什么問(wèn)題,陶冶情操挺好的。大姑娘黨的發(fā)貨速度的確比以前要快了。
  •   美國(guó)文學(xué)課用的課本。選材很全,很有代表性,對(duì)當(dāng)代的文學(xué)語(yǔ)篇選得比較多。最喜歡的是文章后面都會(huì)有簡(jiǎn)單的講解評(píng)述。贊一個(gè)!
  •   這本書(shū)質(zhì)量很好,里面的內(nèi)容清楚,沒(méi)有缺頁(yè)少頁(yè)的現(xiàn)象。精選了美國(guó)著名文學(xué)大師的優(yōu)秀篇目,有精彩的分析。很不錯(cuò)的一本書(shū),值得去讀。
  •   作為選讀來(lái)說(shuō)還是挺好的,適合和文學(xué)史一起配套用。
  •   列選的都挺好
  •   價(jià)格合適,書(shū)籍質(zhì)量很好。
  •   多學(xué)無(wú)害
  •   he老師要的一模一樣
  •   很好,很適合英語(yǔ)文學(xué)專(zhuān)業(yè)的學(xué)生閱讀
  •   精讀幾遍 文學(xué)韻味很濃
  •   書(shū)還可以,上課用的教材,發(fā)現(xiàn)了一兩處錯(cuò)誤的地方。
  •   印刷的時(shí)候應(yīng)該段落之間空格大一點(diǎn),比較好記筆記。
  •   緒論部門(mén)字太小,看著很累。
  •   是正版,書(shū)還不錯(cuò),就是介紹的作者略少,連歐文都木有。。
  •   打開(kāi)包裝一看實(shí)在是被shock到了,比二手還二手,封面上就有明顯折痕,打開(kāi)里面發(fā)現(xiàn)書(shū)頁(yè)泛黃而且每隔幾頁(yè)都有一大堆折印,實(shí)在是太有失水準(zhǔn)。這是我迄今為止在當(dāng)當(dāng)上買(mǎi)到的最不滿意的一本書(shū),雖然可能我只是運(yùn)氣不太好,但是希望這種事情以后少發(fā)生。上美國(guó)文學(xué)課系里的書(shū)定錯(cuò)只好自己重買(mǎi),下周就要上課這本書(shū)我急用,結(jié)果卻收到這么一本書(shū),又急著看又實(shí)在是難以接受這樣的質(zhì)量,真心捉急!
 

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