人類的藝術(shù)

內(nèi)容概要

Upon that much we can probably agree
without anyfurther argument. But when I say, "Art is
universal,"there is an immediate danger that you will think of
art(of either music or painting or sculpture or dancing) as if it
were somesort of universal language, understood by everybody in
every part ofthe world. Which of course is not true at all. What
happens to be the mostsublime form of music Io me, who am sitting
at my desk upstairs-sayBach's Fugue in G minor-is just so much
unpleasant noise to my poorwife, who within a few minutes will be
copying these pagesdownstairs, far removed from the gramophone and
the fiddle.

作者簡(jiǎn)介

亨德里克·威廉·房龍(1882～1944)：荷裔美國(guó)人，著名學(xué)者。他是出色的通俗作家，在歷史、文化、文明、科學(xué)等方面都有著作，而且讀者眾多。他是偉大的知識(shí)普及者，大師級(jí)人物。從1913年起，他開(kāi)始寫(xiě)書(shū)，直到1921年寫(xiě)出《人類的故事》，一舉成名，從此飲譽(yù)世界。代表作包括《寬容》、《圣經(jīng)的故事》、《發(fā)明的故事》、《房龍地理》等。郁達(dá)夫曾說(shuō)。房龍的筆有一種魔力。干燥無(wú)味的科學(xué)常識(shí)經(jīng)他那么一寫(xiě)。變得娓娓動(dòng)人。

書(shū)籍目錄

FOREWORD
CHARTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SiX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHARTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAFFER FIFTEEN
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
CHAFFER NINETEEN
CHAPTER TWENTY
CHAPTER TWENTY-ONE
CHAFER TWENTY-TWO
CHAPTER TWENTY-THREE
CHAPTER TWENTY-FOUR
CHAPTER TWENTY-FIVE
CHAPTER TWENTY-SIX
CHAPTER TWENTY-SEVEN
CHAPTER TWENTY-EIGHT
CHAFFER TWENTY-NINE
CHAPTER THIRTY
CHAPTER THIRTY-ONE
CHAPTER THIRTY-TWO
CHAPTER THIRTY-THREE
CHAPTER THIRTY-FOUR
CHAPTER THIRTY-FIVE
CHAPTER THIRTY-SIX
CHAPTER THIRTY-SEVEN
CHAPTER THIRTY-EIGHT
CHAPTER THIRTY-NINE
CHAPTER FORTY
CHAPTER FORTY-ONE
CHAPTER FORTY-TWO
CHAPTER FORTY-THREE
CHAPTER FORTY-FOUR
CHAPTER FORTY-FIVE
CHAPTER FORTY-SIX
CHAPTER FORTY-SEVEN
CHAPTER FORTY-EIGHT
CHAPTER FORTY-NINE
CHAPTER FIFTY
CHArtER FIFtY-ONE
CHAPTER FIFtY-TWO
CHAPTER FIFTY-THREE
CHAPTER FIFTY-FOUR
CHAPTER FIFTY-FIVE
CHAPTER FIFTY-SIX
CHAPTER FIFTY-SEVEN
CHAPTER FIFTY-EIGHT
CHAPTER FIFTY-NINE
CHAPTER SIXTY
CHAPTER SIXTY-ONE
CHAFFER SIXTY-TWO
CHAPTER SIXTY-THREE
AN AFTERTHOUGHT

章節(jié)摘錄

插圖：The music of johann Sebastian Bach was a matter of constant imtation to his employers in Leipzig. The Emperorjoseph ii of Austria complained to Herr Mozart that there were "too many notes" in his music. Richard Wagner scompositions were hooted off the concert platform. Arab or Chinese music,that makes the average Arab or Chinese roll his eyes in deep rapture, happens to affect me personally as ifl were listening to a bitterly contested cat fight in the neighbor's back yard.Wherefore, when I say that art is uruversal, I merely mean that art is not bound to any particular country or to any particular period of time. For art is as old as the human race and it is just as much part of man as are his eyes or his ears or his hunger or his thirst. The lowest savage of the most desolate part of Australia,who in a great many ways is quite inferior to the animals which share his loneliness, who has never even learned how to build himself a house or how to wear clothes, had developed a very interesting art of his own. And while we have discovered several groups of natives who have no conception whatsoever of religion, we have never, as far as I know, come across a race（no matter how far it happened to be removed from the center of civilization） that was completely without some form of artistic expression.

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