藍(lán)土地,遠(yuǎn)行者

出版時(shí)間:1996  出版社:遠(yuǎn)流  作者:葉凱蒂,Catherine Vance Yeh  
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內(nèi)容概要

劍城位於美國(guó)東北角,城中的H大學(xué)是舉世知名的學(xué)府。六月中旬暑期 班開課,照例吸引了各國(guó)學(xué)子前來短期進(jìn)修。來自大陸的安其也是其中之一。
安其高挑明媚,聰穎迷人。但這樣的外貌下,卻隱藏了一顆陰鬱不安的靈魂。 安其三十歲了,離家千里,隻身飄流海外。除了前程未卜外,她更要與她的過 去搏鬥:文化大革命的夢(mèng)魘、感情的創(chuàng)傷、親情的乖離,總是縈繞著她的記憶 ,百難消弭。
H大學(xué)的課程即將開始,安其將何去何從? 相對(duì)於前數(shù)年大陸作家的尋根情懷,葉凱蒂寫海外新的無(wú)根一代,別有 用心?!端{(lán)土地,遠(yuǎn)行者》寄託深遠(yuǎn),結(jié)構(gòu)精巧,作為第一本小說,頗有可觀 之處。(王德威)

作者簡(jiǎn)介

Catherine Vance Yeh is head of the Chinese language and literature section in the Department of Foreign Language and Literature. Her research interest is in the twentieth-century Chinese entertainment culture and literature, in particular the relationship between entertainment and the transformation of society as a whole. She has published widely on the subject, and her most recent publication is Shanghai Love: Courtesans, Intellectuals and Entertainment Culture, 1850-1910 (2006). A  monograph entitled A Literary Fashion Goes Global: The Political Novel in Late Qing China is forthcoming. She is currently in the finishing stages of a project with the working title: “From Male ‘Flower’ to National Star: Media, international politics, and the transformation of patronage culture in the rise of the Peking opera female impersonator.”

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