貝克特

內(nèi)容概要

《貝克特》是“劍橋文學(xué)指南”叢書中的一部。本書收集了歐美當(dāng)代著名學(xué)者的13篇論文，分別從不同角度對貝克特各種體裁的作品及其特色展開了精辟的評析。本書涉及范圍廣泛，包括貝克特小說的風(fēng)格，他對小說技巧的創(chuàng)新，他在戲劇中如何表現(xiàn)“死亡”這一主題，他對自己的劇作的導(dǎo)演構(gòu)想，他的詩歌創(chuàng)作和詩歌翻譯，他的哲學(xué)思想的來源，他采用英法雙語寫作的特色，以及他的影視廣播劇的創(chuàng)作等。本書體現(xiàn)了近年來西方研究貝克特的最新成果，具有很高的學(xué)術(shù)參考價值。

書籍目錄

List of contributorsPreface Chronology of Beckett’s lifeList of abbreviationsA note on titles1 An endgame of aesthetics：Beckett as essayist2 Beckett’s English fiction3 Three novels  and four nouvelles：giving up the ghost be born at last4 Waiting for Godot and Endgame：theatre as text5 Stages of identity：from Krapp’s last tape to play6 Beginning again：the post-narrative art of Texts for nothing and How it is7 The mediated Quixore：the radio and television plays，and film8 Dead heads：damnation-narration in the ‘dramaticules’9 Disabled figures：from the Residua to Stirrings still10 Beckett’s poems and verse translations or：Beckett and the limits of Poetry11 Beckett as director：the art of mastering failure12 Beckett’s bilingualism13 Beckett and the philosophersFurtber readingIndex of works by BeckettGeneral index

章節(jié)摘錄

　　Much criticism dealing with Beckett‘s work has elaborated upon his late-Modernist position where language is seen to struggle against silence. Yet the discourse of Beckett’s work， in drama and in prose， as it was received during his lifetime， was a continuous narrative construed from the obli-gation towards speech and， consequently， writing. This， of course， would always be tempered by the repeated Beckettian paradigm of impotence. Beckett‘s was an art of impending silence， coupled with the obligation to overcome that silence. This reading gives Beckett and Beckett’s work some-thing of a stoic dignity， as it survives against all odds.　　Yet what has bet:n rarely noted， despite the persistent return by Beckett‘s readers to early critical works as supposed manifestoes of intent， is that these odds have been deliberately weighted against Beckett， by Beckett himself. Where obligation and impotence work together， as Beckett first sets out in the Tbree dralogues witb Georges Dutbuit， we may perceive not only a struggle towards expression， but also one， equally powerful， against expression:　　……

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