漢中出土商代青銅器

內(nèi)容概要

　　《漢中出土商代青銅器（4）》各篇論文，有的從器物形態(tài)觀察，有的從裝飾藝術(shù)著眼，有的從青銅工藝討論，有的從器物出土地點(diǎn)下手……卻大致有一個(gè)相當(dāng)接近的結(jié)論：漢中諸器物群，個(gè)別的與地區(qū)外面的某一文化傳統(tǒng)有類似之處，但找不到漢中顯而易見的土著形態(tài)。這一共同觀察，當(dāng)與漢中地區(qū)的地理狀況有密切關(guān)系。漢中地區(qū)在中國南北氣候分界線秦嶺一淮河帶上，北接陜西黃土高原，南連四川盆地邊沿的大巴山脈，而北是喜馬拉雅造山運(yùn)動(dòng)的大折疊，東南則向江漢平原的邊緣開延。這一地形兩側(cè)高而逼近，中間河谷落差大，而又沒有河谷的平坦谷地，即使東向出口，也山高谷深，平地不多，須出了川陜大巴山，纔進(jìn)入江漢平原。

書籍目錄

前言 漢中城固、洋縣出土商代青銅器綜論 Discussion on Shang Bronzes from Chenggu and Yangxian Counties, Hanzhong 漢中出土商代青銅器族屬問題的再討論 Revisiting an Ethnological Issue of the Shang Bronzes from Hanzhong Region 城固洋縣青銅器所含周文化因素之我見 The Zhou Cultural Elements on the Bronzes from Chenggu and Yang Counties 歷史時(shí)期陜西漢中地區(qū)的地理環(huán)境與地緣政治結(jié)構(gòu)（上） The Geographical Context and Geopolitical Structure of Historical Hanzhong Region, Shaanxi 漢中出土商代銅器的埋藏問題 On the Burial of Shang Bronzes from Hanzhong 漢中出土商代青銅器的初步科學(xué)分析 A Preliminary Scientific Examination of Shang-Dynasty Bronzes Recovered in Hanzhong, Shaanxi Province, China 商周時(shí)期的圓形盾易 Round-shaped dun yang of the Shang and Zhou Periods 城固縣出土有銘商代青銅器小議 A Study on the Inscribed Bronzes of Shang Dynasty Excavated from Chenggu, Shaanxi Province Ornament and Territory: the Case of the Bronzes from Hanzhong 飾樣與地域：漢中青銅器的個(gè)案 The Bronze Age in the Upper Han River Basin: Some Observations 漢江上游盆地的青銅時(shí)代的若干觀察 A zun from Yang Xian 一件來自洋縣的尊 從青銅器的風(fēng)格和分布看漢中青銅器的來源和當(dāng)?shù)厍嚆~文化的特點(diǎn) Style and Distribution of Bronzes from Hanzhong and Their Cultural Implications 器名索引 后 記 Epilogue

章節(jié)摘錄

版權(quán)頁：   插圖：   Ge with straight tang, strip-shaped yuan, and hu. Five Yinxu-style ge （Figure 9: 3-5） of this type were found in Xiaojia village, Baoshan in 1977.These ge have one to three perforations （穿）. Such a shape appeared during Yinxu Bronze Phase 3, Period Ⅱ. Ge with straight tang and triangular yuan. The yuan are all isosceles triangles. The majority of this type of ge was found in Sucun village, Baoshan in 1976, （Figure 9: 7-10）. The yuan has two types: broad or narrow. Two perforations pierce toward the end of the yuan （援本）. There is a round hole at the rear part of yuan near ben. Quite a number of ge have blood dripping slot on both sides of the central ridge. These ge with straight na and triangular yuan were popular types after Yinxu Bronzes Phase 3, Period Ⅰ. A ge （Figure 9: 6） with a curved tang and elongated striped yuan was excavated from Wulang township, Chenggu in 1964. In Yinxu this type of ge was also popular from Phases Ⅰ through Ⅲ. Twenty-one mao spears （Figure 10: 7） were located from Sucun and Xiaozhong villages, Baoshan town, Chenggu, and seven from Longtou village, Longtou town in 1955. All have a long yong （甬） tube that is drilled twice on the lower part, and a short leaf-shaped spearhead. In Yinxu this type of spear was used during Phases 2 to 3, i, e. , the middle to late Yin dynasty. Among the second group of objects, although many weapons have similar shapes to the same type in Yinxu and thus belong to the same casting tradition, their form, decoration, and manufacturing techniques differ in some respects. Indeed among the aforementioned ge with triangular yuan, most yuan are longerand more slender than those from Yinxyu. This can be considered as a deviation from the similar type. Other examples include: the triangular-yuan ge （64 : 15,Figure 10 ? 176: 5） from Wulangmiao in 1964 that has a double dragon head （？） on both sides of the yuan. The torso of the dragon forms most of the central ridge, a very distinctive design feature. The yue from Wulangmiao village, Wulang Township in 1964 has a straight tang, a double-perforated, wide arched blade. There is an openwork tiger pattern （Figure 10: 2） in the large round hole in the middle of the yue body. Such a design that has a large round hole in the middle of the yue body was found on an earlier object, numbered M4: 8 from Louziwan, Panlongcheng. （1） The yue （Figure 10: 3） from Fanba village, Xiecun town, Yangxian county in 1979 has a straight tang, a wide, arched blade. The two angular points of the blade curve upward, while a frog pattern in openwork decorates the large round hole in the middle of the yue body. Since such a decorative method is the same as the tiger-patterned yue from Wulangmiao that does not curve upward at the two angular points, we can postulate that the yue that has the blade points curving upward belongs to the same design tradition as the tiger-patterned yue with astraight na and wide, arched blade.

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