電影·感受中國

書籍目錄

窗與鏡中國夢中國式家庭鄉(xiāng)土中國：中國西部影片中國農村的新面貌和新景象城市的萬花筒和多棱鏡兒童教育青春成長愛情啊，你姓什么女性聲音的交響男性形象面面觀老人形象歷史戰(zhàn)爭影片的主導進程反思而不是回避：文革題材影片融合中的兩岸三地電影中國電影明星中國電影索

章節(jié)摘錄

版權頁：插圖：The success of Swordsman （director King Hu, executivedirector Hark Tsui）, produced at Tsui's film studio in 199omarked a new era, both for Tsui and for Chinese wuxiafilm itself. Many of Tsui's films are based on a traditionalwuxia framework reinterpreted by means of comedicand magic-realist elements as well as contemporary filmtechnology and packaging gimmicks. The big name actorsinvolved in Tsui's wuxia films no doubt helped bring itboth critical kudos and box office success. Wuxia fantasieswere the undisputed leading light of the I99OS Chinesefilmmaking industr.  Hark Tsui's films heralded a newly opulent level ofwuxia, whose imposing scenery; glamorous settings andnovel kungfu stunts were made possible by means ofinnovative, high-tech visual artistrv. It is exemplifiedby successful wuxia films such as Swordsman, Dragon Inn（1992） and Swordsman II （1993）. To some extent these filmsevoked the feelings of insecurity felt by many Hong Kongresidents as their liberation from British colonizationloomed. They also illuminated both the history and thereality of Hong Kong.

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《電影·感受中國》由新星出版社出版。

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