從柏拉圖到尼采

內(nèi)容概要

　　《從柏拉圖到尼采：古典西方文論縱橫》以歷時(shí)的概覽和共時(shí)的細(xì)讀相結(jié)合，梳理了西方古典文學(xué)理論發(fā)展的脈絡(luò)，重點(diǎn)分析了柏拉圖，亞里士多德、賀拉斯、朗基努斯、錫德尼，約翰遜、黑恪爾、康德、尼采等西方文學(xué)理論大家的文學(xué)理論觀點(diǎn)。其特色如下：力圖將西方文學(xué)發(fā)展史與西方文藝?yán)碚摪l(fā)展史結(jié)合起來(lái)，以主線突出、點(diǎn)面結(jié)合，史論并重的形式，在總體框架中凸顯文藝思潮演進(jìn)的主流?！　∧圩髡叨嗄甑难芯啃牡茫碚撋嫌兴鶆?chuàng)新。對(duì)以往不受重視但延續(xù)了千余年的中世紀(jì)和文藝復(fù)興時(shí)期的文論，作者有新的發(fā)掘和開拓；對(duì)過去似乎已有定見的古希臘和德國(guó)古典時(shí)期的文論，作者亦有新的闡釋和評(píng)析。　　逆輯性與可讀性強(qiáng)，多視角、全方位地勾勒出西方文藝?yán)碚摰逆幼冞^程和演進(jìn)脈絡(luò)，結(jié)構(gòu)上具有哲學(xué)的思辨性和系統(tǒng)性，行文中又具有文學(xué)的形象性和具體性，使漫長(zhǎng)而散亂的西方文藝?yán)碚撌泛臀乃嚴(yán)碚摲治龀蔀橐粋€(gè)有機(jī)的整體。

書籍目錄

Introduction1．What Is Theory of Art and Literature?2．The Importance of Learning Western Literary TheoryChapter 1 Literary Theories in Ancient Greece1．Social Background2．The Literature of Ancient Greece3．The Literary Theories Before Plato and AristotleChapter 2 Plato1．Life and W0rks2．Plato's Theory of Philosophy and Politics3．Theory of Literature and Art4．Plato's InfluenceChapter 3 Aristotle's Poetics1．Life and Works2．Literary Theories in Aristotle's Poetics3．Influence of Poetics to Western CriticismChapter 4 Literary Theories in Ancient Rome1．Social and Cultural Backgrounds2．Literature of Ancient Rome3．The Literary Theory in Ancient RomeChapter 5 Horace's Art of Poetry1．Life Career of Horace2．The Main Content of Art of Poetry3．The Influences of HoraceChapter 6 Longinus' On the Sublime1．About the Author and the Text2．The Content of On the Sublime3．The Influence of On the SublimeChapter 7 Literary Theories of the Midge Ages1．Social and Cultural Backgrounds2．Literary Works in the Middle Ages3．Literary Theories in the Middle AgesChapter 8 Literary Theories of Renaissance1．A Brief Introduction to Renaissance2．Main Literary Theories of Italy during the Renaissance3．Literary Criticism in England during the RenaissanceChapter 9 Philip Sidney's An Apology for Poetry·1．Life of Philip Sidney2．The Reason of Writing An Apology for Poetry3．An Apology for Poetry4．Poet as the Maker and Feigner5．The Significance of Sidney's An Apology for PoetryChapter 10 Thomas Hobbes's “Answer to Davenant's Preface to Gondibert”1．Introduction to Thomas Hobbes and William Davenant2．“Answer to Davenant's Preface to Gondibert”3．Evaluation of Hobbes's Poetry TheoryChapter 11 Literary Theories of the Enlightenment1．Literary Background of Enlightenment2．Literary Theories of France3．Literary Theories of EnglandChapter 12 Samuel Johnson's Preface to the Plays of William Shakespeare1．Life Career and Works of Samuel Johnson2．The Main Contents of Preface to the Plays of William Shakespeare3．Johnson's Influence and ReputationChapter 13 David Hume and His of the Standard of Taste1．Life，Works and Philosophy of David Hume2．Of the Standard of TasteChapter 14 German Literary Theory of Enlightenment and Neoclassical Period1．Social and Cultural Backgrounds2．General Features of Literature3．Literary TheoriesChapter 15 The Romantic Literary Theory1．The Background of Romanticism2．Literary Theory of Romanticism in Germany3．Romantic Literary Theory in BritainChapter 16 William Wordsworth and His Preface to Lyrical Ballads1．Life of Wordsworth2．Preface to Lyrical Ballads3．Comment on Wordsworth's Critical TheoryChapter 17 Friedrich Nietzsche and His The Birth of Tragedy1．Life Career and Ideas of Nietzsche2．The Birth of Tragedy3．Evaluation of Nietzsche's The Birth of TragedyEnding ChapterBibliography

章節(jié)摘錄

　　According to Hegel，the ideal classical art is the Greek art，which fully embodies the features of the classical art．Gods in the eyes of the Greek people are not awe-looking but human，and have the joys and sorrows of human beings．For example，Zeus is the concrete representation of justice， morality and power，Athena is the embodiment of wisdom and peace．Despite the specific character of a particular god，each single god is a comprehensive totality．While their blessedness lies in their universal and spiritual self-repose，the gods can still be active and effective in human existence．The plurality of individual gods allows the artist to portray the universal divine in human shape，for their eternal serf-repose permits the gods to intervene in human affairs to a certain extent before they withdraw into themselves；their presentation in a particular bodily form enables US to relate to the finite characterization of the gods． 　　……

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