比較文學(xué)

內(nèi)容概要

　　12009年早已過(guò)去，但蘇珊·巴斯奈特卻以其2006年發(fā)表在于英國(guó)比較文學(xué)學(xué)會(huì)（BCL，A）會(huì)刊《比較批判研究》（Cbmparative Critical.Studies,3）第三期的文章《二十一世紀(jì)比較文學(xué)反思》fReflections on Comoararive Litemture in the Twenty-First Century）又一次震動(dòng)了了中國(guó)比較文學(xué)界。該文的中文譯文首先刊登在《中國(guó)比較文學(xué)》2008年第四期，隨后《中國(guó)比較文學(xué)》2009年第一期刊登了十幾位中國(guó)比較文學(xué)學(xué)者針對(duì)該文撰寫(xiě)的筆談。由于蘇珊·巴斯奈特?zé)o法閱讀中文，在佛克馬教授的建議下，我們組織了這一組英文筆談。這組文章對(duì)巴斯奈特的論文進(jìn)行了進(jìn)一步討論，我們希望能夠與全世界同仁一起繼續(xù)深入探討比較文學(xué)研究領(lǐng)域中出現(xiàn)的新問(wèn)題。畢竟，比較文學(xué)還是一個(gè)相對(duì)年輕的學(xué)科。

書(shū)籍目錄

CRITIQUE OF SUSAN BASSNETT'S "REFLECTIONS"CAO Sh unqingRemarks from the EditorBASSNETT SusanReflections on Comparative Literature in the Twenty-First CenturyFOKKEMA DouweSusan Bassnett's Unnecessary StruggleIBSCH ElrudBassnett's Quixotian Fight: Reading Note on: Susan Bassnett, "Reflections on Comparative Literature in the Twenty-First Century."CAO Shunqing, WANG LeiFailed Prediction and Outdated PrescriptionSUN Jingyao & DUAN JingBassnett's struggle: With whom does she struggle? For what does she struggle?WANG NingThe Crisis of Comparative Literature and the Rise of World LiteratureWANG XiangyuanThe Focus of Comparative Literature in the World Has Shifted to ChinaCOMPARATIVE POETICSLIU YanThe Imagists' Misinterpretation of Classical Chinese PoeticsD UAN LianYiqu: Implied Meaning and Its Conceptualization——A Comparative Approach to Chinese Poetics from Chinese and Western PerspectivesLITERATURE AND THE HISTORY OF THOUGHTDUAN JunhuiA Study of American Critical Humanism: Irving Babbitt, Lionel Trilling and Edward SaidXIANGLmPost-War American Intellectuals and Public Space: A Case Study of Lawrence FerlinghettiETHNIC LITERATUREGUO RongPolitical Unconsciousness: Reading Yan Geling's The Ninth WidowLIU YiResistance, Absorption, Hybridity and Reconstruction: On Chinese-AmericanCulture in Chinese-American Women Writers' Literary TextsIn the Remains of Theory: Ethical Criticism in Contemporary Literary StudiesTRANSLATION STUDIESREN WenDeconstructing Liaison Interpreters' InvisibilityHU MinxiaOn Building Expertise in Simultaneous InterpretingHUANG WenjuanOn the Significance of Extra-linguistic Preparation of InterpretingXIA HaoA Case Study on Rhetorical Vagueness in Press Conference InterpretingYANG YuhongWorking with Assumptions——the Dialogue Interpreter as CommunicationFacilitator in Medical EncountersEDITOR'SNOTES

章節(jié)摘錄

Here remains the crucial difference between ethical criticism of the past and newethical criticism of today. While the former, in its worst forms of expression,practices overt didactic reading of a literary text with the sole purpose of endorsingor promoting one moral agenda or another, the latter is only interested indiscovering the various ethical values embedded in literary works that are part ofthe manifestation of their significance. To do this, new ethical criticism must remainin dialogue with the aesthetic structures of a text, for the tension between theseaesthetic structures and a text's ideological components solidifies a production oftextual meanings. Attention to these aesthetic structures may profitably contribute toa nonmonologic, nonthematic ethical criticism by demonstrating how to readliterature for insight, not into the kinds of ethical claims a text might convey, butinto the way ethical claims may be expressed or validated. This is not say thatethical themes can be sifted completely out of the process of ethical reading, butthese themes need not be taken as the exclusive object of study; rather, they areunderstood as simply an ideological effect of an equally important signifyingprocess. On this view, the structural example of ethically charged voices engaged inmoral dialogue within a text may serve both as the object of ethical criticism and asa morally illuminating model for one way critics may articulate their ownnonmonologic interpretive claims about a text's moral component.

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《比較文學(xué):東方與西方12(英文版)》由四川大學(xué)出版社出版。

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