跨界

前言

"Cross-interface" has become the most popular word in design industry recently, whichsymbolizes "uninhibited creativity" and features enchanting charm. Art without interfacesenables senior designers in industries of architectural design, environmental design andfashion design to innovate beyond interfaces and challenge their own limits of creativity.The conflict, integration and penetration among different arts reveal the inevitable trendof creative design.As a matter of fact, the design activity of "cross-interface" had appeared as early as the1 6th century. The Gothic structure that France created on the basis of Roman architecturehas been introduced by painting, music, literature, sculpture and costume since the 12thcentury, and they are labeled with "Gothic art". Bringing novel thoughts into the newrealm depends on designers' visions in the industry.

內(nèi)容概要

　　看平面設(shè)計(jì)在空間中大放異彩！精選近百個(gè)室內(nèi)設(shè)計(jì)佳作，客觀呈現(xiàn)設(shè)計(jì)藝術(shù)從二維向三維的穿越滲透，啟發(fā)多樣性的跨界設(shè)計(jì)技巧；幾何、圖案、花紋、線條……細(xì)分元素類別，看平面元素如何在空間綻放異彩。How extraord5nabv effect is shown by planar design in spaceOne hUndred fabuIous interior designs obIectively present how designs infiItrate fbomtwo-dimensional space to three.dimensional space，arousing diversified design skills of cross boundary.Categorized by geometrical shape，pattern，tracery and line，planar elements show extraordinary effect in space.

書籍目錄

蜂巢-印象中餐為此，本案的設(shè)計(jì)取意“蜂巢”，即在大空間的白色面上生成5條“褶皺”狀的分界線，猶如5個(gè)“巢穴”般存在。北京CJW餐廳設(shè)計(jì)中采用了木花格與百寶格，其獨(dú)特之處在于將格內(nèi)做出橫豎不等、高低不齊、錯(cuò)落參差的空間。藍(lán)蛙這個(gè)原本約]000平方米，北部照明、鋸齒屋頂?shù)膫}庫被“盤旋的圓形”分割成一個(gè)個(gè)生動(dòng)的空間。荷蘭Praq餐廳本案設(shè)計(jì)者整合兒童和成人雙方的需要，既能吸引和激發(fā)孩子的想象力，又能兼顧帶孩子前來進(jìn)餐的家長的感受。濠江軒中餐廳新疆鹿鎮(zhèn)茶餐廳上海MuSe酒吧空間內(nèi)部隨處可見鏤空的、實(shí)心的、大小不一的圓，它們豐富了空間感覺，使其顯得生動(dòng)而通透。新加坡Nautius餐廳餐廳直接利用入口的設(shè)計(jì)引導(dǎo)客人進(jìn)入，曲線的設(shè)計(jì)遍布餐廳，與其曲線框架相得益彰。麻辣誘惑設(shè)計(jì)師從麻辣誘惑品牌LOGO所代表的女性胴體誘人曲線中引發(fā)靈感。順德喜來登酒店·采悅軒中餐廳設(shè)計(jì)師結(jié)合范仲淹的名詞：碧云天，黃葉地，秋色連波，波上寒煙翠……的意境，反映現(xiàn)場(chǎng)室內(nèi)外環(huán)境關(guān)系。“歡樂之家”眼鏡店這家眼鏡店圓形的入口和展示壁龕，模仿了眼睛瞳孔的形狀。東8時(shí)區(qū)書倉方與圓的格調(diào)組合和巧妙的尺度感與間距，顯示出設(shè)計(jì)者的獨(dú)具匠心，大圓與小圓、圓弧與直線的交錯(cuò)融合，使樸素的空間霎時(shí)活色生香。角度的藝術(shù)角度，這種經(jīng)常出現(xiàn)在設(shè)計(jì)師腦海中的元素，常被幻化成千奇百’陸的圖形運(yùn)用到空間設(shè)計(jì)當(dāng)中。MOnki時(shí)尚店鋪真空燒鑄的有機(jī)玻璃燈泡形成的亮白“珍珠”，工廠碎片的圖片布滿收銀臺(tái)及其周圍墻面，增強(qiáng)了整個(gè)空間的時(shí)尚感及故事場(chǎng)景感。首爾10CorsoComo圓形在此處無處不見，它既是10CorsoComo的商標(biāo)，也是KriSRuhs對(duì)“零售——藝術(shù)——就餐”概念的早期貢獻(xiàn)。北京馬賽克商場(chǎng)設(shè)計(jì)師為本案設(shè)置出“馬賽克”這一主題；整棟大樓無處不在的窗口，遠(yuǎn)遠(yuǎn)望去像無數(shù)小塊的馬賽克。紅樹林紅色的燈光從鏤空的“枝葉”間滲透下來，在空間內(nèi)形成了紅色的斑駁樹影，造就了令人驚艷的紅樹林意象。維也納Apple旗艦店鑲嵌有圓形透明玻璃質(zhì)地裝飾物的天花，成為本案最為醒目的平面裝飾元素。Artemide臺(tái)北旗艦概念店設(shè)計(jì)者打破一般展示店制式的直線框架格局，以白色三度曲面去襯托每件燈品的獨(dú)特性。鼎城國際走入該空間，猶如走進(jìn)一個(gè)格子的世界，方形幾何圖形的嚴(yán)謹(jǐn)與秩序感充斥了整個(gè)辦公空間。居眾裝飾(中山分部)立面上以不同弧度間斷斜墻，面與面的幾何演變，使走道空間的幾個(gè)隔斷讓人過目難忘。汗蒸時(shí)代——女子汗蒸養(yǎng)身會(huì)館遍布整個(gè)空間頂部和立面的鏤空幾何形方塊圖案，給人毛孔舒展的感覺，暗中吻合了該會(huì)館的主題。日本某溫泉SPA圓是這間SPA的設(shè)計(jì)主題，無處不在的圓形鏤空墻面使整個(gè)空間充滿了強(qiáng)烈的幾何感，既簡約時(shí)尚，又散發(fā)出優(yōu)雅溫暖的氣息。九龍山將軍城市會(huì)所設(shè)計(jì)的最大特色是用白色有機(jī)玻璃制成的波浪形天花板，透明的質(zhì)地與燈光相互輝映，流光溢彩，顯示出不凡的品位?，F(xiàn)代宮廷本案旨在空間中營造出現(xiàn)代感的帝王感受，因而莊嚴(yán)奢華不失壯麗的主題色彩成為基本的設(shè)計(jì)目標(biāo)，麗池溫泉休閑會(huì)所白色墻面上鏤空的四邊形，使空間充滿了簡潔時(shí)尚的感覺，而鋪設(shè)在不同空間的葉紋樣墻紙又以利落的線條勾勒出空間的趣味，輝映著豐富的室內(nèi)布置。臺(tái)大兒童醫(yī)療大樓這個(gè)名為“彩色天洞”的藝術(shù)巢穴，猶如懸在天空之中，潔白的空間里，充滿形形色色的涂鴉和繽紛色彩。廣州靈格風(fēng)語言教育中心沒計(jì)靈感源于海洋和天空，抽取具有這些意象的色彩和圖形來裝飾空間。臺(tái)灣三之三國際教育(上海旗艦店)本案的設(shè)計(jì)理念是五大洲四大洋的情景幻想世界。設(shè)計(jì)師將設(shè)計(jì)的重心放在了造型和顏色上，以藍(lán)、綠、粉、黃、紅分別作為不同空間的主題色。vidyalankar AnneX(2期)巖石裝飾的墻面、看似漫不經(jīng)心雕刻而成的條紋圖案，輕質(zhì)材料的選用，與美麗的荷花造型相互輝映，營造出藝術(shù)化的空間氛圍。

章節(jié)摘錄

插圖：The project intends to create the modern emperorfeelings; therefore, magnificent and luxurious style withsplendid themed color is the basic goal of design. Theusage of colors and some other artistic design elementsenhance the luxury of the space.A curved staircase at the entrance acts as a sculptureand the focus point here. Big round end of the pillardirectly forms flower-shaped ceiling and functions as thefocus background of the staircase.Meanwhile, this kindof flower-shaped patterns functions as suspended ceilingand appears on ceiling of the entrance together withclassical pendent lights, forming magnificent yet decenlatmosphere.In leisure area, patterns on the ceiling are changedinto regular square patterns. These classical Europeanpatterns commonly seen in palace express elegance andnobleness of royalty, and echo to the square suspendedceiling of pendent lights on appearance. Therefore,creating harmonious yet grand aesthetics on planes inspace brings the distinctive experience for those peoplewho rest here.

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《跨界:從二維到三維》由華中科技大學(xué)出版社出版。

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