孤寂的風(fēng)景

內(nèi)容概要

本書(shū)由六章組成。第一章為引言部分，首先對(duì)孤獨(dú)進(jìn)行定義并確定孤獨(dú)在文中的內(nèi)涵及措辭。在陳述本研究的意義目的及析方法之后，文獻(xiàn)綜述部分對(duì)中外狄金森研究的歷史及現(xiàn)狀進(jìn)行梳理，為后文的論述奠定基礎(chǔ)。第二章闡述狄金森因?qū)9世紀(jì)新英格蘭制度宗教的反叛而遭受孤獨(dú)之苦，進(jìn)而致力于其個(gè)人信仰的發(fā)展。第三章論述狄金森在對(duì)人類(lèi)生存的思考中所產(chǎn)生的孤獨(dú)感，主要體現(xiàn)在三個(gè)方面：自然中的孤獨(dú)、生命中的孤獨(dú)、死亡面的孤獨(dú)。第四章將狄金森置于19世紀(jì)新英格蘭的歷史語(yǔ)境中析詩(shī)人在維多利亞時(shí)代的父權(quán)制文化中所遭受的性別孤獨(dú)。第五章深入探討狄金森孤獨(dú)意識(shí)的性質(zhì)，并指出其雙重性：孤獨(dú)中的痛苦焦慮以及獨(dú)處中的浪漫體驗(yàn)。第六章為結(jié)論部分。

作者簡(jiǎn)介

　　王金娥，文學(xué)博士，山東師范大學(xué)外國(guó)語(yǔ)學(xué)院副教授。近年來(lái)主要從事美國(guó)文學(xué)的教學(xué)及研究，發(fā)表過(guò)《論艾米莉·狄金森的自然觀(guān)》、《生存與孤獨(dú)》等論文多篇，參編《英美文學(xué)賞析》等專(zhuān)著2部，現(xiàn)主持校級(jí)研究課題1項(xiàng)、山東省高校人文社科研究課題1項(xiàng)，并參加省部級(jí)課題2項(xiàng)。

書(shū)籍目錄

Chapter One Introduction
 1.1 Definition and Terminology
 1.2 Significance and Purpose of the Study
 1.3 Analytical Approach
 1.4 Literature Review
Chapter Two Loneliness in Faith
 2.1 Loneliness in Institutional Religion
 2.1.1 A Rebel Against
Orthodoxy
 2.1.2 A Skeptic Among God's
Children
 2.2 Loneliness in Personal Religion
 2.2.1 Truth and Beauty
 2.2.2 Child's Faith
Chapter Three Loneliness in Existence
 3.1 Nature. Impossible Integration
 3.1.1 Lone Landscape in New
England
 3.1.2 Alienation Between Man
and Nature
 3.2 Life: Impermanent Being
 3.2.1 Loneliness from
Separation
 3.2.2 Homeless at Home
 3.2.3 I.oneliness in
Spinsterhood
 3.3 Death: Inevitable Doom
 3.3.1 Shadow of Death
 3.3.2 Fantasy of
Afterlife
Chapter Four Loneliness in Gender
 4.1 Women's Reticence as the Other
 4.1.1 Reticence in
Society
 4.1.2 Reticence at Home
 4.2 Women's Anxiety of Authorship
 4.2.1 Solitary Writer
 4.2.2 Another Textual
Strategy
Chapter Five Duality of Loneliness
 5.1 Great Pain in Loneliness
 5.1.1 Pain in
Progression
 5.1.2 Suicidal Attempt as
Escape
 5.2 Romantic Appreciation of Solitude
 5.2.1 Satisfaction and
Inspiration
 5.2.2 Individualistic
Preservation
 5.2.3 Hidden Discourse
Chapter Six Conclusion
References
中文參考文獻(xiàn)

章節(jié)摘錄

　　On a more metaphysical level，loneliness constitutes an important subject in various forms of art，including painting，music，psychology，philosophy and especially literature. In literature，loneliness is an eternal topic，especially for Romantics andModernists. Francois-Rene de Chateaubriand points out in hisGenie du Christianisrne（1802）that Romanticist literature is supposed to be marked by a certain“melancholy“and to present thepain of a vague yearning for someone and the sense of loneliness.In modern literature; loneliness resulting from man's alienationand estrangement from the world can be trequently encountered，occupying an important place in the exploration of man's innerworld. Modernists tend to believe that man is born alone anddies alone，with a life lived in constant loneliness. In poetry，aswell as other literary genres，loneliness has been an obsessingnote，as Thomas Parkingson has observed that the subject of poetry is loneliness. Loneliness brings along isolation and estrangement，but，in the meantime，provokes aesthetic satisfaction andmeditative impulses. Accordingly，the solitary self is frequentlyconsidered the source of spiritual power and literary inspiration.　　Emily Dickinson has not expected that，decades after herdeath，her poetry and the poet herself could have been“rediscovered“and brought back to life，and since then have been increasingly acclaimed and valued. William Dean Howells is among theearly critics who have identified the talents in Dickinson's poetry：“in the work of Emily Dickinson，America，or New Englandrather，had made a distinctive addition to the literature of theworld，and could not be left out of any record of it“（318），whileConrad Aiken rates her works as“perhaps the finest poetry by awoman in the English Language“（“Emily Dickinson“8）.

編輯推薦

　　《孤寂的風(fēng)景：論艾米莉、狄金森詩(shī)歌中的孤獨(dú)意識(shí)》力求展現(xiàn)一個(gè)可信的狄金森形象：彌漫在她生命及作品中的孤獨(dú)，除卻其腐蝕性外，已然上升到一種生存哲學(xué)的高度。對(duì)狄金森而言，孤獨(dú)是一種彰顯人的意志品質(zhì)的生存狀態(tài)，更是一種智慧的境界，她的詩(shī)歌也因此成為美國(guó)文學(xué)乃至世界文學(xué)中一方獨(dú)特的風(fēng)景。

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