馮內(nèi)古特的后現(xiàn)代主義小說藝術(shù)

內(nèi)容概要

　　《馮內(nèi)古特的后現(xiàn)代主義小說藝術(shù)》根據(jù)辯證唯物主義和歷史唯物主義的基本觀點(diǎn)，全面、深刻、系統(tǒng)地揭示了美國當(dāng)代小說家馮內(nèi)古特的后現(xiàn)代主義藝術(shù)追求與實(shí)踐——他堅(jiān)持人道主義思想，用不斷創(chuàng)新的藝術(shù)形式來表現(xiàn)后現(xiàn)代人類經(jīng)驗(yàn)和對世界的人文主義關(guān)懷，并注重藝術(shù)與生活、文本與歷史和現(xiàn)實(shí)之間的關(guān)系，以其構(gòu)筑的象征符號系統(tǒng)來把握并揭示現(xiàn)實(shí)和歷史的真實(shí)面貌。

書籍目錄

序言前言Abbreviations of Vonnegut's Works Introduction Vonnegut: A Postmodernist Novelist withHumanistic IdeasChapter 1 Historical and Theoretical ContextsI. The Historical Context for Vonnegut's HumanismII. The Theoretical Context for Vonnegut's Postmodemist Innovations1. The General Scene of the Postmodern Culture2. Derrida's Theories of Deconstruction3. Lyotard's Delegitimation4. Hassan's Aesthetic Characteristics of Postmodemist Art5. New Historicism6. Vormegut's Postmodernist Sense of ChaosChapter 2 Vonnegut's Deconstruction of the Real WorldI. Vonnegut Deconstructs Science and Technology1. Machine: The Cause of Loneliness of Human Beings2. Science: The Cause of the Destruction of the Human WorldII. Vonnegut Deconstructs the Capitalist Society1. The Dirty Source and Implications of the Capitalists'Money2. The Law Only Protects the Capitalist America3. Capitalism Destroys the Environment and CultureChapter 3 Vonnegut's Reconstruction of the Real WorldI. Dignity Against MechanizationII. Kindness Against Warm. Fellowship Against LonelinessIV. Survive by Ceasing to Be Fully HumanV. The Ways to Adapt to Chaos1. Black Humor2. Schizophrenia3. New ReligionsChapter 4 Vonnegut's Deconstruction of the Fictional WorldI. The Development of the Novel from Realism to Modernism and PostmodernismII. Meta fictionIV. Vonnegut's Meta fictional Novels1. Slaughterhouse-Five: A Novel About How to Write ThisNovel2. Breakfast of Champions: An Anti-Novel3. Deadeye Dick: The Meta fictional "Plays-Within-the-Play"IV. The Aesthetic Features of Vonnegut's Deconstruction of the Fictional World1. Indeterminacy in Meaning and Narration2. Fragmentation in the Text3. Decanonization: The Delegitimation of the Grand Narratives4. Selflessness, Depthlessness: Postmodem Peoplem All Kindsof Machines5. The Unpresentable, Unrepresentable Subjects……Chapter 5 Vonnegut'S Reconstruction of the FictionalWoddChapter 6 Vonnegut'S Tendency Toward New Historicism Conclusion Vonnegut: A New Direction——Constantly Innovatingin Forms to Express Profound Meaning Works Cited Index后記

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