戰(zhàn)爭(zhēng)與和平（英文）

內(nèi)容概要

《戰(zhàn)爭(zhēng)與和平》以1812年拿破侖侵俄戰(zhàn)爭(zhēng)為中心，以三個(gè)俄羅斯貴族家族的生活為線索，生動(dòng)敘述了人們?cè)趹?zhàn)爭(zhēng)與和平的年代里，經(jīng)歷無(wú)數(shù)歡樂(lè)和苦痛后，如何體驗(yàn)出人生的真諦；同時(shí)展現(xiàn)了19世紀(jì)初期俄國(guó)社會(huì)與政治領(lǐng)域的種種變化，記錄了歐洲歷史上最動(dòng)蕩的時(shí)期……

作者簡(jiǎn)介

列夫·托爾斯泰，俄國(guó)作家、思想家，19世紀(jì)末20世紀(jì)初最偉大的文學(xué)家，19世紀(jì)俄國(guó)偉大的批判現(xiàn)實(shí)主義作家，是世界文學(xué)史上最杰出的作家之一，他被稱(chēng)頌為具有“最清醒的現(xiàn)實(shí)主義”的“天才藝術(shù)家”，公認(rèn)的最偉大的俄羅斯文學(xué)家?！段鞣秸洹纷髡摺⒚绹?guó)著名文學(xué)教授兼批評(píng)家哈洛·卜倫甚至稱(chēng)之為“從文藝復(fù)興以來(lái)，惟一能挑戰(zhàn)荷馬、但丁與莎士比亞的偉大作家”。對(duì)文學(xué)擁有“狂戀式愛(ài)情”的托爾斯泰，是俄羅斯文學(xué)史上創(chuàng)作時(shí)間最長(zhǎng)、作品數(shù)量最多、影響最深遠(yuǎn)、地位最崇高的作家，重情節(jié)、重典型、重寫(xiě)實(shí)、重批判的文學(xué)時(shí)代，在他筆下達(dá)到巔峰。長(zhǎng)篇巨著《戰(zhàn)爭(zhēng)與和平》、《安娜·卡列尼娜》和《復(fù)活》是托爾斯泰文學(xué)藝術(shù)上的三個(gè)里程碑。百年來(lái)，他的作品被譯為各國(guó)文字，銷(xiāo)售量累積超過(guò)5億冊(cè)，是大師中的大師。

書(shū)籍目錄

Introduction
Note on the Translation
Select Bibliography
Chronology of Leo Tolstoy
Principal Characters and
Guide to Pronunciation
Dates of Principal Events
BOOK ONE
Part One
Part Two
Part Three
BOOK TWO
Part One
Part Two
Part Three
Part Four
Part Five
BOOK THREE
Part one
Part Two
Part Three
BOOK FOUR
Part One
Part Two
Part Three
Part Four
FIRST EPILOGUE
SECoND EPILoGUE
Appendix：Some Words about War and Peace
Notes

章節(jié)摘錄

WAR AND PEACE was not immediately or universally recognized by its readers as a world's classic．It came out by instalments between 1865 and 1869，in a tiIne offierce controversy；and there were complaints from both 1eft and right about its being tendentious．Tolstoy's contemporaries couldfewofthem standbackand seethegranddesign of the book；they were distracted by questions of genre was this a novel offam~~y life，an historical chronicle，not without its distortions，or a panoramic'poem’like Gogol's Dead SouIs?Tolstoy rejected a11 these definitions when in 1868 he published'Some Words about WarandPeacd ft0 be found at the end of this volume)．He claimed that the best things in the fiction of his countrymen had neve   conformed to the known genres．But many of his read ers found it dimcult to adjust to the changed perspective in a  novel that started with the domestic life of a few families  and moved steadily into the domain of a national epic． They were even more perplexed when，half-way through  it，passages of theoretical argument about history and free will began to grow in frequency，until the Second  Epilogue left fiction behind altogether,and hammered out  a paradoxical thesis．

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《戰(zhàn)爭(zhēng)與和平(套裝全3冊(cè))》由外語(yǔ)教學(xué)與研究出版社出版。

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