作為策略的羅曼司

內(nèi)容概要

　　《作為策略的羅曼司》把第一位華裔北美長篇小說家溫妮弗蕾德·伊頓置于美國羅曼司傳統(tǒng)和19世紀(jì)未，20世紀(jì)初的美國文化，社會(huì)及學(xué)術(shù)話語的語境之中，重新審視其文學(xué)作品，旨在說明伊頓的羅曼司作品對(duì)羅曼司傳統(tǒng)所隱含的異已特性進(jìn)行調(diào)撥，質(zhì)疑，駁斥或抗?fàn)幟绹陨飳W(xué)特征為基礎(chǔ)的文化，社會(huì)和性別話語。因此，《作為策略的羅曼司》涵蓋了伊頓文學(xué)創(chuàng)作的四個(gè)方面，也即對(duì)羅曼司文類的調(diào)撥，對(duì)體質(zhì)人類學(xué)的質(zhì)疑，對(duì)進(jìn)化論社會(huì)學(xué)的駁斥以及對(duì)本質(zhì)論女性從屬地位的反抗。

書籍目錄

IntroductionChapter One Romance as Literary Experiments1 The Other-Directed Tradition of American High Romance:Cooper,Poe,Hawthorne and Melville2 The Other-Directed Tradition of Popular Romance:Litery Japonisme of Loti,Hearn and Long3 Eatons Reconfigurations of Romance: A Bidirectional PerspectiveChapter Two Romance as Literary Experiments on Culture and Society1 The Turn-of-the-Century Cultural and Social Contexts:Anthropological and Sociological Discourses2 Romance as Cultural Experiments:Eatons Contestations against Biologically Informed Interpretations Culture3 Ronance as Social Experiments:Eatons Contestations against Biologically Informed Interpretalions of Society……ConclusionSelected Bibliography

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