《仙后》與英國(guó)文藝復(fù)興時(shí)期的釋經(jīng)傳統(tǒng)

內(nèi)容概要

　　《：與英國(guó)文藝復(fù)興時(shí)期的釋經(jīng)傳統(tǒng)》擬從《圣經(jīng)》文本及英國(guó)文藝復(fù)興時(shí)期對(duì)《圣經(jīng)》的闡釋兩方面來(lái)解讀該時(shí)期重要詩(shī)人埃德蒙·斯賓塞的長(zhǎng)詩(shī)《仙后》。現(xiàn)今批評(píng)家們對(duì)斯賓塞的評(píng)論多專注于他作品中所表現(xiàn)出的古典主義印記。另一方面，也有為數(shù)不多的批評(píng)者們對(duì)他所受的基督教影響進(jìn)行了研究，但這些研究似乎僅停留在把斯賓塞歸到某個(gè)特定的基督教派別下，把他的作品定位為受到該派別的宗教教義影響。約翰·厄普頓等人將斯賓塞定義為一個(gè)典型的清教主義者；詹姆士·伯格等批評(píng)者則把他納入加爾文主義者；埃德溫·格林勞等人卻認(rèn)定他應(yīng)隸屬于英國(guó)國(guó)教的麾下；同時(shí)使該問(wèn)題更加復(fù)雜化的是，尼蘭·托馬斯在他的博士畢業(yè)論文中，列舉了大量事實(shí)來(lái)論證天主教教義對(duì)斯賓塞作品的決定性影響?！　♂槍?duì)以上各批評(píng)流派的觀點(diǎn)，以及另一些懷疑斯賓塞是否在其作品中系統(tǒng)性地闡述了自己的宗教觀的各種論斷，本文在綜合并拓展相關(guān)研究的基礎(chǔ)上，通過(guò)論述基督教的唯一經(jīng)典著作《圣經(jīng)））對(duì)長(zhǎng)詩(shī)《仙后》的影響來(lái)闡述斯賓塞的宗教觀。重點(diǎn)論述英國(guó)女王伊麗莎白一世統(tǒng)治時(shí)期，（《圣經(jīng)》（尤其是其中的“啟示錄”）對(duì)該時(shí)代歷史的影響在《仙后》及同時(shí)期文學(xué)作品中的顯著反映。本文第一章綜述了近幾個(gè)世紀(jì)以來(lái)批評(píng)家們對(duì)斯賓塞宗教觀的論述，指出其不足之處并嘗試提供解決方法。

書籍目錄

Chapter I　IntroductionChapter II　A Godly Queen：The Historical and Apocalyptic Significance ofthe Bible to SpenserChapter Ill SpenserS Stylistic Use ofthe BibleChapter IV The Bible and the Theme ofBook 1 0f The Faerie QueeneChapterV TheBible andtheThemeofBookIIof The Faerie QueeneChapter VI Biblical Typology,Gloriana，and the ThematicUnity of Books III-VI of The Faerie QueeneChapter VII ConclusionWorks Cited

章節(jié)摘錄

　　Padelford also mentions parallels between the specific Calvinistconcepts of trinity， angels， and the depravity of man. His concludingremark is that the first book of The Faerie Queene is a poetic versionof the third book of the Institutes， and that it illustrates all of thefundamental principles of Calvinism. Since Calvin trusts that thediscipline of life is primarily that we may obtain righteousness，Spenser， obedient to the teachings of his theological master， makesthe pursuit of holiness the main concern in "fashioning a gentlemanor noble person in virtuous and gentle discipline." Therefore， earlycritics with Padelford as their representative often group Spenseramong Calvinist writers， claiming that he followed Calvin to a "verygreat extent" and calling "The Legend of Holiness　essentiallyCalvinistic" since it "teaches the very core of Calvinistic doctrine."In the same way， Boulgers groundbreaking Calvinist Temper inEnglish Poetry has one special chapter in treating the Calvinistelements in Spensers poetry. He claims that the Calvinist principlesin Spensers Books I and II of The Faerie Queene are "easy， all tooeasy， perhaps， to discern."3 To Boulger， it exemplifies the way inwhich doctrinal influence of Calvinism secures the poet a place in thegeneral Calvinist tradition or temper of English poetry.

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