歌劇魅影-津津有味.讀經(jīng)典-適合高二.高三年級(jí)

前言

　　《津津有味·讀經(jīng)典》推薦序　　讀書最美妙的境界是讀得津津有味?！　∥蚁?，對(duì)于中小學(xué)生，英語閱讀要讀出三味才算是津津有味。　　津津第一味，是讀出好成績。國家《義務(wù)教育英語課程標(biāo)準(zhǔn)》（2011年版）和國家《普通高中英語課程標(biāo)準(zhǔn)》（實(shí)驗(yàn)）都規(guī)定了中小學(xué)生的英語閱讀量，要求學(xué)生每年課外閱讀一定量的英文讀物。用課外的閱讀提高自己的英語成績，肯定是我們進(jìn)行課外閱讀的一個(gè)基本愿望。如何實(shí)現(xiàn)呢？這需要有相應(yīng)的配套活動(dòng)指導(dǎo)，因?yàn)檫@些活動(dòng)可以把我們在閱讀中獲得的語感轉(zhuǎn)化為我們考試中可以表現(xiàn)出來的語言運(yùn)用能力?！　〗蚪虻诙?，是讀出寬視野。我們通過閱讀認(rèn)知我們無法靠自己生活的直接經(jīng)驗(yàn)認(rèn)知的世界，我們可以通過閱讀穿越到任何時(shí)代，與大師為伍，與英雄比肩，入宮廷痛斥國王，到小村體恤貧民。我們不僅可以因此而曉知天下，更可因此與人廣泛交流?！　〗蚪虻谌?，是讀出高素養(yǎng)。閱讀是學(xué)習(xí)，學(xué)習(xí)知識(shí)，更學(xué)習(xí)做人的道理、做事的方法、分析的思路、明辨的條理、批評(píng)的路徑、建構(gòu)的框架。閱讀是體驗(yàn)，體驗(yàn)如何淡泊明志、如何激揚(yáng)文字，如此等等，豐富我們的人生理解，提高我們的綜合素養(yǎng)?！　∧憧隙〞?huì)問，如此三味，需要太多課外時(shí)間，我本無多少課外時(shí)間，是否可以聚合一體？ 　　當(dāng)然可以。　　《津津有味·讀經(jīng)典》就是一套可以讓你讀出津津三味的讀物。　　這套讀物不僅符合國家《義務(wù)教育英語課程標(biāo)準(zhǔn)》（2011年版）和國家《普通高中英語課程標(biāo)準(zhǔn)》（實(shí)驗(yàn)）的要求，更是匯集了西方文學(xué)經(jīng)典，更為難得的是，英語語言優(yōu)美而又符合我國學(xué)生語言水平，同時(shí)附有表演短劇劇本、純正地道MP3和自主評(píng)價(jià)手冊。　　如此，你可以開卷“悅讀”了吧！　　期待你讀出津津三味！　　教育部英語課程標(biāo)準(zhǔn)組專家 魯子問

內(nèi)容概要

　　《津津有味·讀經(jīng)典》符合國家《義務(wù)教育英語課程標(biāo)準(zhǔn)》2011年版和國家《普通高中英語課程標(biāo)準(zhǔn)》（實(shí)驗(yàn)）的要求，更是匯集了西方文學(xué)經(jīng)典，符合我國學(xué)生語言水平，同時(shí)附有表演短劇劇本、純正地道MP3和自主評(píng)價(jià)手冊，幫助學(xué)生更好地學(xué)習(xí)英語?！陡鑴△扔啊肥抢蒸斢?911年發(fā)表的這部介于偵探小說和荒誕小說間的作品，從一個(gè)記者的角度，講述了發(fā)生在宏偉壯麗的巴黎歌劇院的一個(gè)“鬼故事”。

作者簡介

　　加斯通·勒魯（1868-1927），法國著名的偵探、懸念小說家。他的作品，有據(jù)可查的達(dá)三十四部之多，體裁不僅涉及偵探小說，還包括其他方面?！秳≡瑚扔啊肥撬捴巳丝诘淖髌?。本書被譽(yù)為西方文學(xué)界華麗與詭異完美結(jié)合的巔峰之作，有著離奇哀婉、令人扼腕的人鬼悲情，駭人聽聞的罪惡勾當(dāng)，匪夷所思的懸念場景。

書籍目錄

Prologue
CHAPTER 1 |S [t the Ghost?
CHAPTER 2 The New Margharita
CHAPTER 3 Why the Managers Resigned
CHAPTER 4 Box Five
CHAPTER 5 The Enchanted Violin
CHAPTER 6 A Visit to Box Five
CHAPTER 7 The Fatal Performance
CHAPTER 8 The Mysterious Carriage
CHAPTER 9 At the Masked Ball
CHAPTER 10 "Forget the Man's Voice!"
CHAPTER 11 Above the Trapdoors
CHAPTER 13 Apollo's Lyre
CHAPTER 13 A Masterstroke
CHAPTER 14 The Safety Pin
CHARTER 15 "Christine! Christine!"
CHAPTER 16 Marne Giry and the Ghost'.
CHAPTER 17 The Safety Pin Again
CHAPTER 18 The Police Commissioner
CHAPTER 19 The Viscount and the Persian
CHAPTEH 20 In the Cellars of the Opera
CHAPTER 21 The Persian's Story
CHAPTEH 22 In the Torture Chamber
CHAPTER 23 The Tortures Begin
CHAPTER 24 Barrels! Barrels!"
CHAPTER 25 Which Will She Turn?
CHAPTEH 26 The End of the Ghost
New Words
Playlet

章節(jié)摘錄

　　"Oh, yes, but he has no coat or head, so all that talk about the head of fire is wrong. You can't see him, only hear him; my mother knows!"　　Giry began to cry, thinking of how angry her mother would be if she knew she was speaking about him.　　"I should hold my tongue, but Joseph Buquet shouldn't talk about it—it will bring him bad luck!"　　There was the sound of quick and heavy footsteps in the corridor; then a voice cried, "Cecile! Cecile, are you in there?"　　"It's my mother," cried little Jammes.　　A big, respectable-looking lady burst into the dressing roomand dropped, groaning, into an easy chair.　　"Oh, how awful!" she said.　　"What is it? Tell us what has happened!" cried the girls.　　"It's Joseph Buquet. He's dead!"　　The room filled with cries of alarm as the scared girls beggedher for an explanation. "Yes, he was found hanging by his neck in the third-floorcellar!"　　"Oh, no, it must be the ghost!" little Giry cried.　　And all around her, the ballet-girls repeated: "Yes, yes, itmust be the ghost!"　　Sorelli turned pale and began to tremble."I'll never be ableto say my 'thank-you' speech now," she said.　　The truth is that no one ever knew how Joseph Buquet died.It was decided to have been a suicide, but the strange thing wasthat by the time the manager had hurried down the ladder tocut the body down, the rope had completely disappeared. M.Moncharmin decided the ballet-girls or some other dancersmust have taken it, perhaps in order to protect themselves frombad luck. However, it was difficult to imagine such pretty girlsrushing down to the cellars and dividing up a rope used tohang a man! Also, the body had been discovered right underthe stage! No, somebody else must have taken it.　　The terrible news soon traveled around the Opera. The dressingroom emptied as the ballet-girls, gathering around Sorelli likescared sheep, made their way to the foyer through the dark corridors, moving as fast as their little pink legs could take them!　　……

編輯推薦

　　卡斯頓·勒魯，二十世紀(jì)初法國著名記者、劇作家、小說家，著有多部神秘、冒險(xiǎn)、偵探類小說?！督蚪蛴形丁ぷx經(jīng)典：歌劇魅影（適合高2、高3年級(jí)）》是他最著名的作品?！　　督蚪蛴形丁ぷx經(jīng)典：歌劇魅影（適合高2、高3年級(jí)）》被譽(yù)為西方文學(xué)界華麗與詭異完美結(jié)合的巔峰之作，有著離奇哀婉、令人扼腕的人鬼悲情，駭人聽聞的罪惡勾當(dāng)，匪夷所思的懸念場景。根據(jù)該書改編的音樂劇長演不衰?！　　督蚪蛴形?讀經(jīng)典》符合國家《義務(wù)教育英語課程標(biāo)準(zhǔn)》2011年版和國家《普通高中英語課程標(biāo)準(zhǔn)》（實(shí)驗(yàn)）的要求，更是匯集了西方文學(xué)經(jīng)典，符合我國學(xué)生語言水平，同時(shí)附有表演短劇劇本、純正地道MP3和自主評(píng)價(jià)手冊，幫助學(xué)生更好地學(xué)習(xí)英語。

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