外教社博學(xué)文庫(kù)

內(nèi)容概要

康拉德對(duì)小說(shuō)情節(jié)極為重視，他的多部小說(shuō)體現(xiàn)出一種相對(duì)穩(wěn)定的悲劇情節(jié)模式，人物行為和小說(shuō)敘事因這種悲劇模式而獲得意義。但同時(shí)，本書(shū)通過(guò)間接敘事形成雙重情節(jié)，并利用雙重情節(jié)對(duì)情節(jié)構(gòu)造的本質(zhì)進(jìn)行思考。對(duì)他的小說(shuō)情節(jié)進(jìn)行綜合宏觀的研究，可以更好地揭示康拉德獨(dú)特的藝術(shù)成就。

書(shū)籍目錄

Chapter One  Introduction
  A. Plot
    1.What is plot?
    2. The possibility and ways of abstracting plot from a text
  B. The significance of studying plot
  C. The significance of studyingthe plot in Conrad's fiction
Chapter Two  Isolation Mode of Tragedy in Conrad's Fiction.
  A. Definition of isolation mode of tragedy
  B. Isolation mode of tragedy in Conrad's fiction
    1. The pro-fall stage, where the ambitious protagonist
      is unsatisfied
    2. The second stage: the character's first fall as a flee
      choice driven by ambition
    3. The third stage: the isolation from society due to his
      first fall
    4. The fourth stage: the character's second fall also as a
      free choice driven by his ambition
    5. The fifth stage: the last choice either to surrender or
      to accept his fate courageously  ,
    6. The sixth stage: the denouement
  C. A conclusion for the isolation mode of tragedy
    in Conrad's fiction
Chapter Three  Repetition Mode of Tragedy in Conrad's Fiction
  A. Definition of repetition mode of tragedy
  B. Individuars repetition of a mistake
  C. The repetition of a mistake by different persons
Chapter Four  The Double Plot in Conrad's Fiction
  A. The definition of double plot
  B. The double plot in Conrad's fiction
    1. Representation or creation?
      a. The limited access to the information
      b. The limitations of language
      c. The attempt to plot a good story, complete and meaningful.
    2. Biography or autobiography?  
  C. The cause and effect of the double plot in Conrad's fiction.
Chapter Five  Conclusion
Appendix
Works Cited

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