出版時間:2009-3 出版社:上海外語教育出版社 作者:霍普金斯 (Hopkins.L.),斯戴格爾 (Steggle.M.) 頁數(shù):144
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內(nèi)容概要
“外教社原版文學(xué)入門叢書”由外教社從Edinburgh大學(xué)出版社和Continuum出版社等多家國際上知名的專業(yè)出版社引進(jìn)。叢書文字簡練,語言生動,題材豐富,以介紹文學(xué)理論和小說類型及相應(yīng)的社會文化背景為主,用淺顯易懂的語言介紹英語詩歌、散文、小說、文學(xué)流派、文學(xué)理論、文化等,勾勒出英美文學(xué)發(fā)展的概貌。 本套叢書對我國的外國文學(xué)及理論研究者、在校學(xué)生以及廣大文學(xué)愛好者都有很高的參考價值,是廣大文學(xué)愛好者了解基本文學(xué)知識的必備讀物。
作者簡介
作者:(英國)霍普金斯 (Hopkins.L.) (英國)斯戴格爾 (Steggle.M.)
書籍目錄
Introduction1 Historical, Cultural and Intellectual Context Politics and economics Religion Science and technology Art and culture Social structures2 Literature in the Renaissance Major genres Poetry Drama Prose Literary movements Metaphysical poetry Women's writing Protestant poetics The baroque3 Critical Approaches Historical overview Key issues and debates4 Resources for Independent Study Chronology of key historical and cultural events Glossary of key terms and concepts Further reading and resources ReferencingIndex
章節(jié)摘錄
the cold sweating cares which I conceived after I knew I should be cut like a French summer-doublet. Methought already the blood began to gush out at my nose: if a flea on the arm had but bit me, I deemed the instrument had pricked me. Well, well, I may scoffat a shrewd turn but there's no such ready way to make a man a true Christian as to persuade himself that he is taken up for an anatomy. I'll depose I prayed then more than I did in seven year before. Not a drop of sweat trickleddown my breast and my sides but I dreamed it was a smoothedged razor tenderly slicing down my breast and my sides... in the night I dreamed of nothing but phlebotomy, bloody fluxes, incarnatives, running ulcers.(Nashe, 1958, 2.305)This extract shows both the similarities and the differences between Nashe's style and those of Lyly and Sidney: Nashe's Jack is a colloquial narrator, whose speech is full of interjections such as 'O' and 'Well'; his is a calculated juxtaposition of outrageous, amusing similes ('cut like a French summer-doublet') with a calculated simplicity to heighten the horror ('Methought already the blood began to gush out at my nose'). The last sentence in the extract, detailing what Jack dreamed of, and milking each word in the list for its sound and rhythm as well as for its shocking content, is typical of Nashe on top of his game. In The Unfortunate Traveller, the colloquial, joking style, at odds with the horrific (and surreal) subject matter, is at the centre of the work, just as Euphuism and the Arcadian rhetoric dominate Lyly's and Sidney's fictions respectively.
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