出版時間:2006-12 出版社:上海教育出版社 作者:常春藤英語教學研究中心 譯 頁數(shù):194
前言
由上海、廈門、香港、臺北、吉隆坡、洛杉磯等地英語教學專業(yè)人士聯(lián)合組成的常春藤英語教學研究中心,數(shù)年來在中國英語圖書市場中推出了幾十種常銷不衰的紅藍自測英語速記詞匯表,其中附書的紅藍色彩雙向助記卡還獲得了中華人民共和國的專利?! 〕4禾儆⒄Z教學研究中心的英語教育專業(yè)人士,充分發(fā)揮與海外英語時文零距離接觸的強勢,密切追蹤各種英語考試的最新動態(tài),在潛心研究了中考、高考、大學英語四級、六級、考研、托福、雅思、GRE、職稱考試、自學考試、等級英語等各個層面、幾十個領域的英語考試大綱要求后,力邀國內(nèi)教學領域中的資深專家和專業(yè)高手加盟,共同開發(fā)適時、專業(yè)的英語考試輔導材料。目前,由該中心精心打造的常春藤紅藍英語的各類詞匯、試卷已逾百種,它們在外語圖書市場中聲勢日顯,正在崛起為一個知名品牌?! ‖F(xiàn)在奉獻給讀者的這本,是“常春藤”涉足大學英語專業(yè)考試的嘗試之一?! 〗陙恚S著高校擴招及與專業(yè)英語相關(guān)聯(lián)專業(yè)的增設,允許參加大學專業(yè)英語考試的范圍有所擴大,學習大學專業(yè)英語的人數(shù)在日趨增多,概言之:英語專業(yè)考試適用性日見其廣,應考者隊伍不斷擴大。 為此,高等學校外語專業(yè)教學英語組成立了考試大綱修訂小組,聽取近百所院校教師代表和專家的意見,修訂原有的專業(yè)八級考試大綱。新版的與原來的考綱相比確有頗多不同,與老題型相比,新題型有如下變化: 聽力部分原來由四部分組成:Section A Talk,Section B Conversation,Section C News Broadcast和Section D Note-taking&Gap-filling。而新題型中聽力由三部分組成:Section A Mini-lecture,Section B Conversation和Section C News Broadcast。新題型中的Mini-lecture和舊題型的Section D Note-taking&Gap-filling大致類似,但是字數(shù)更多?! eading Comprehension由原來的兩部分變成了一部分,刪去了Skimming and Scanning。新增了General Knowledge部分,考察內(nèi)容包括英語國家文化、英語文學和語言學方面的知識。 寫作的字數(shù)要求由原來的300字增加到400字,時間上由原來的60分鐘減少到45分鐘?! 「腻e和翻譯都保持不變。
內(nèi)容概要
由上海、廈門、香港、臺北、吉隆坡、洛杉磯等地英語教學專業(yè)人士聯(lián)合組成的常春藤英語教學研究中心,數(shù)年來在中國英語圖書市場中推出了幾十種常銷不衰的紅藍自測英語速記詞匯表,其中附書的紅藍色彩雙向助記卡還獲得了中華人民共和國的專利?! 〕4禾儆⒄Z教學研究中心的英語教育專業(yè)人士,充分發(fā)揮與海外英語時文零距離接觸的強勢,密切追蹤各種英語考試的最新動態(tài),在潛心研究了中考、高考、大學英語四級、六級、考研、托福、雅思、GRE、職稱考試、自學考試、等級英語等各個層面、幾十個領域的英語考試大綱要求后,力邀國內(nèi)教學領域中的資深專家和專業(yè)高手加盟,共同開發(fā)適時、專業(yè)的英語考試輔導材料。目前,由該中心精心打造的常春藤紅藍英語的各類詞匯、試卷已逾百種,它們在外語圖書市場中聲勢日顯,正在崛起為一個知名品牌。
書籍目錄
MODEL TESTSMODEL TEST ONEMODEL TEST TWOMODEL TEST THREEMODEL TEST FOURMODEL TEST FIVEMODEL TEST SIXMODEL TEST SEVENMODEL TEST EIGHTKEYS AND NOTESMODEL TEST ONEMODEL TEST TWOMODEL TEST THREEMODEL TEST FOURMODEL TEST FIVEMODEL TEST SIXMODEL TEST SEVENMODEL TEST EIGHTTRANSCRIPTMODEL TEST ONEMODEL TEST TWOMODEL TEST THREEMODEL TEST FOURMODEL TEST FIVEMODEL TEST SIXMODEL TEST SEVENMODEL TEST EIGHT
章節(jié)摘錄
Pier Vittoro Tondelli, the author of four novels and a collection of short stories, died of AIDS in 1991, at the age of 36. To judge from Separate Rooms , his first novel to appear in English, Tondelli s death deprived us of a singular voice. In Simon Pleasance s able translation from the ltalian, the authors lyricism and low-key humor successfully content with the weight of an immense melancholy. And despite its casual texture, Ton- dellis prose never deviates far from the "seam of that other reality that we call art". Leo, the protagonist of Separate Rooms , is an author in his 30s. Like his creator, he settles in Milan after growing up in a small town in the Po Valley and undergoes the rigors of a homosexual existence in a society even more resolutely closed than our own. His sense of alienation from the mainstream is absolute. Yet Separate Rooms is hardly a sexual polemic. Its focus, after all, is grief-like love, a universal, equal opportunity e- motion. And whom is Leo grieving for? Early in the novels scrambled chronology he meets Thomas, a young German pianist living temporarily in Paris. Attraction is fol- lowed by infatuation, which is followed by love, and the two begin a long affair, travel- ing together and exchanging visits over a three-year period. Their romance, however, remains long-distance. For as Leo recognizes, his solitary temperament prohibits him from loving anybody without the buffer of separate rooms. The lovers therefore begin a feverish correspondence——and here is where Leos creative and erotic lives begin to converge. The physical separation of the two men shunts their relationship from sexuality into language, from life into literature. "Above all," Tondelli writes, "their letters became a record of their life together, like two scribes passionately committing to paper, for the sake of history. So their let- ters progressed from being love letters to being records of a kind of evolution. From this, they then grew as if calcified, like white blocks of granite, turning into things gound in an archaeological excavation of the impossible, but real, attempt at love."
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