田納西·威廉斯戲劇中父親的在場(chǎng)與缺席

內(nèi)容概要

　　《田納西?威廉斯戲劇中父親的在場(chǎng)與缺席》中作者集中研究了威廉斯的四部經(jīng)典戲劇作品《玻璃動(dòng)物園》、《欲望號(hào)街車》、《熱鐵皮屋頂上的貓》以及《蜥蜴之夜》。全書以這四部作品中父親形象的在場(chǎng)或缺席為切入點(diǎn)，力圖全面系統(tǒng)地探討梳理威廉斯戲劇中的救贖理想、這種救贖理想的發(fā)展軌跡、以及這種理想變化的社會(huì)、文化和哲學(xué)背景，分別從存在主義、尼采的“酒神計(jì)劃”、美國(guó)實(shí)用主義、和哈貝馬斯的交往理性信念這四個(gè)不同角度，細(xì)致解讀威廉斯的四大劇作，揭示這四大劇作內(nèi)在的發(fā)展軌跡。《田納西?威廉斯戲劇中父親的在場(chǎng)與缺席》強(qiáng)調(diào)各部劇作之間的重大思想差異，并努力分析了這種變化的深層社會(huì)文化和意識(shí)形態(tài)原因。

作者簡(jiǎn)介

梁超群，1966年生，英語(yǔ)語(yǔ)言文學(xué)博士，華東師范大學(xué)英語(yǔ)系副教授，主攻方向?yàn)閼騽?、文化與翻譯研究、英語(yǔ)教學(xué)研究。曾兼任《上海學(xué)生英文報(bào)》執(zhí)行主編，現(xiàn)兼任《外語(yǔ)教學(xué)理論與實(shí)踐》編輯部主任。

書籍目錄

序Acknowledgements中文題要AbstractIntroductionⅠ. Timeless Oedipal revoltsⅡ. Social Oedipal revolutions since the mid-19th centuryⅢ. Hopes of redemptionⅣ. Tennessee Williams as a modernist dramatistⅤ. Tennessee's complex relationship with his own father C. C.Ⅵ. The father in Williams' theatreChapter 1  The Glass Menagerie: The Post'Patricide Existential AnarchyⅠ. Timeless Oedipal revoltsⅡ. The disjointed world as a result of the absence of the fatherⅢ. Absence of the father as an expression of bitter disillusionmentChaoter 2  A Streetcar Named Desire: The Dead Father as a Toxic LegacyⅠ. Blanche's visitation and her tragic endingⅡ. Return of the dead father and his re-death——a metaphorical readingⅢ. Cultural significance of the father's loss: decline of the degraded Apollonian rule and the old EuropeChapter 3  Cat on a Hot Tin Roof: The Glorious Comeback of the Father as a Tribute to American PragmatismⅠ. Maggie——the Cat on the hot tin roofⅡ. Brick——the melancholic princeⅢ. The father's saving grace and the "brick-wall-breaking operation"Ⅳ. A dramatized tribute to King Big Daddy and his AmericaChapter 4  The Night of the Iguana : Communication and Mutual Help Replacing the Quest for the FatherⅠ. Everyone is hell and is in hellⅡ. Everyone can be someone's angelⅢ. Williams' attempt to liquidate his old selfⅣ. Communicative rationality as the saving grace right at handⅤ. Dethroned father figure integrated into the cycle of redemptionConclusionBibliography

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