出版時間:2012-2 出版社:湖南美術(shù)出版社 作者:李宏偉 頁數(shù):60
內(nèi)容概要
《經(jīng)典碑帖集字創(chuàng)作藍(lán)本》以古代經(jīng)典文選作品為內(nèi)容,通過現(xiàn)代計算機技術(shù),將歷代經(jīng)典碑帖行草范字集合在書法作品中,力求風(fēng)格統(tǒng)一,行氣流暢,章法形式多樣,既可直接供書法愛好者臨摹,又可為其書法創(chuàng)作提供借鑒,集書法與文學(xué)價值于一身。本冊為草書歷代書論選。
書籍目錄
【中堂】、【橫卷】
陶淵明《游斜川序》· ···················01
陶弘景《答謝中書書》· ··················02
吳均《與朱元思書》· ···················03
酈道元《江水《三峽》· ··················04
袁中道《寄四五弟》· ···················05
徐渭《跋陳白陽卷》· ···················06
徐渭《答張?zhí)贰贰?····················07
徐渭《與柳生》· ·····················08
徐渭《書朱太仆十七帖》· ·················09
洪邁《容齋隨筆》· ····················10
龐元英《談藪》· ·····················11
計有功《唐詩紀(jì)事》· ···················12
王讜《唐語林》· ·····················13
李綽《尚書故實》· ····················14
歐陽修《歸田錄》· ····················15
羅大經(jīng)《鶴林玉露· ····················16
陳繼儒《小窗幽記》· ···················17
鄭燮《竹》· ·······················18
廖燕《山居雜談》· ····················19
李漁《桂》· ·······················20
吳從憲《賞心樂事》· ···················21
祁彪佳《水明廊》· ····················22
馮夢龍《半日閑》· ····················23
鐘惺《與陳眉公》· ····················24
袁宏道《雨后游六橋記》· ·················25
李日華《論書法與人品》· ·················26
陳繼儒《跋姚平仲小傳》· ·················27
張大復(fù)《此座》· ·····················28
楊萬里《跋李成山水》· ··················29
楊萬里《題曾無逸百帆圖》· ················30
黃庭堅《書林和靖詩》· ··················31
黃庭堅《書家弟幼安作草后》· ···············32
蘇軾《書舟中作字》· ···················33
蘇軾《記承天寺夜游》· ··················34
沈周《記雪月之觀》· ···················35
蘇軾《與范子豐書》· ···················39
周敦頤《愛蓮說》· ····················40
劉禹錫《陋室銘》· ····················41
陸游《跋淵明集》· ····················42
陸游《跋岑嘉州集》· ···················43
袁宏道《孤山》· ·····················44
蘇軾《試筆自書》· ····················45
高啟《跋眉庵記后》· ···················46
袁中道《游居柿錄》· ···················47
文震亨《香茗》· ·····················48
元結(jié)《右溪記》· ·····················49
黃庭堅《題東坡字后》· ··················50
王維《山中與裴秀才迪書》· ················52
張岱《湖心亭看雪》· ···················54
柳宗元《小石潭記》· ···················56
【扇面】
陸樹聲《題東坡笠屐圖》· ·················58
王季重《簡趙履吾》· ···················59
陳繼儒《小窗幽記》· ···················60
編輯推薦
《經(jīng)典碑帖集字創(chuàng)作藍(lán)本:行書歷代小品文選》編輯推薦:臨摹是書法學(xué)習(xí)中的重要手段,也是不可逾越的途徑。從古至今,所以的書法大師都是以臨摹的方式,站在前人的肩膀上而最終獲得成就的。當(dāng)然,臨摹的最終目的還是創(chuàng)作。那么,我們?nèi)绾蝿?chuàng)作?如何從臨摹過渡到創(chuàng)作?基于此,我們特別策劃了《經(jīng)典碑帖集字創(chuàng)作藍(lán)本》這套書,聘請國內(nèi)一流學(xué)者和著名書家共同編撰,在文字內(nèi)容上力求經(jīng)典,在書法風(fēng)格上力求和諧,同時兼顧形式的豐富多樣?!瞎?/pre>圖書封面
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