草書歷代畫論選-經(jīng)典碑帖集字創(chuàng)作藍(lán)本

內(nèi)容概要

《經(jīng)典碑帖集字創(chuàng)作藍(lán)本》以古代經(jīng)典文選作品為內(nèi)容，通過(guò)現(xiàn)代計(jì)算機(jī)技術(shù)，將歷代經(jīng)典碑帖行草范字集合在書法作品中，力求風(fēng)格統(tǒng)一，行氣流暢，章法形式多樣，既可直接供書法愛(ài)好者臨摹，又可為其書法創(chuàng)作提供借鑒，集書法與文學(xué)價(jià)值于一身。本冊(cè)為草書歷代書論選。

書籍目錄

【中堂】、【橫卷】
顧愷之《論畫》· ·····················01
顧愷之《魏晉勝流畫贊》· ·················02
顧愷之《畫云臺(tái)山記》· ··················03
王維《山水訣》· ·····················04
朱景玄《唐朝名畫錄》· ··················05
朱景玄《唐朝名畫錄》· ··················06
王維《山水論》· ·····················07
王維《山水論》· ·····················08
王維《山水論》· ·····················09
張彥遠(yuǎn)《歷代名畫記》· ··················10
張彥遠(yuǎn)《歷代名畫記》· ··················11
張彥遠(yuǎn)《歷代能畫人名》· ·················12
荊浩《筆法記》· ·····················13
黃休復(fù)《益州名畫錄》· ··················14
郭熙《林泉高致》· ····················15
郭熙《林泉高致》· ····················16
韓拙《山水純?nèi)贰?···················17
韓拙《山水純?nèi)贰?···················18
蘇軾《書摩詰藍(lán)田煙雨圖》· ················19
蘇軾《跋宋漢杰畫山》· ··················20
米芾《畫史》· ······················21
米芾《畫史》· ······················22
米芾《畫史》· ······················23
米芾《畫史》· ······················24
米芾《畫史》· ······················25
趙孟頫《松雪論畫二則》· ·················26
趙孟頫《松雪論畫》· ···················27
湯垕《畫論》· ······················28
湯垕《畫論二則》· ····················29
黃公望《寫山水訣》· ···················30
倪瓚《云林論畫》· ····················31
王世貞《藝苑巵言論畫》· ·················32
孫鑛《月峰畫跋》· ····················33
孫鑛《月峰畫跋》· ····················34
惲壽平《南田畫跋七則》· ·················35
顧凝遠(yuǎn)《畫引》· ·····················39
顧凝遠(yuǎn)《畫引》· ·····················40
顧凝遠(yuǎn)《畫引》· ·····················41
董其昌《畫旨》· ·····················42
董其昌《畫禪室隨筆》· ··················43
董其昌《畫禪室隨筆》· ··················44
陳繼儒《眉公論畫》· ···················45
陳繼儒《眉公論畫》· ···················46
陳繼儒《眉公論畫》· ···················47
李日華《竹懶論畫》· ···················48
唐志契《繪事微言》· ···················49
唐志契《繪事微言》· ···················50
惲壽平《南田畫跋》· ···················51
惲壽平《南田畫跋》· ···················52
惲壽平《南田畫跋》· ···················53
笪重光《畫筌二則》· ···················54
方薰《山靜居畫論二則》· ·················55
董其昌《畫旨四則》· ···················56
【扇面】
黃公望《寫山水訣》· ···················58
黃公望《寫山水訣》· ···················59

編輯推薦

　　臨摹是書法學(xué)習(xí)中的重要手段，也是不可逾越的途徑。從古至今，所以的書法大師都是以臨摹的方式，站在前人的肩膀上而最終獲得成就的。當(dāng)然，臨摹的最終目的還是創(chuàng)作。那么，我們?nèi)绾蝿?chuàng)作？如何從臨摹過(guò)渡到創(chuàng)作？基于此，我們特別策劃了《經(jīng)典碑帖集字創(chuàng)作藍(lán)本》這套書，聘請(qǐng)國(guó)內(nèi)一流學(xué)者和著名書家共同編撰，在文字內(nèi)容上力求經(jīng)典，在書法風(fēng)格上力求和諧，同時(shí)兼顧形式的豐富多樣。——胡紫桂

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