明清冊(cè)頁(yè)精品

內(nèi)容概要

《明清冊(cè)頁(yè)精品(套裝共4冊(cè))》中陳洪綬所作雜畫圖冊(cè)共八開，每開均有作者題跋及款印。所畫題材有山水、人物、花鳥，全以工筆寫之。山巖之結(jié)構(gòu)，花蝶之動(dòng)態(tài)，人物形象之奇特，均已加入了畫家個(gè)人之造型意念，精彩絕倫。其中一冊(cè)，以變形夸張的手法表現(xiàn)古拙奇崛的特征，描寫佛教傳說中的羅漢拄杖坐于大石上，對(duì)面跪拜一人，衣飾長(zhǎng)擺，異國(guó)情調(diào)，突出了裝飾性趣味，圖頁(yè)上自題名為“無法可說”，頗具禪機(jī)。另一冊(cè)《玉蘭柱石圖》，圖右側(cè)一太湖石豎立，玲瓏剔透，緊靠石下伸出一支玉蘭花，石另一側(cè)后面也露出一支海棠花，花上一只彩蝶。畫家把握住不同的物象特征進(jìn)行描繪，湖石的穩(wěn)重堅(jiān)硬，襯托出花朵的輕盈柔美，濃重的色調(diào)托出了玉蘭的潔白。畫面層次清晰，設(shè)色明麗溫和，在線條的表現(xiàn)形式上，均用細(xì)勁的墨線勾勒，剛?cè)嵯酀?jì)，巧拙互用，于對(duì)比中求統(tǒng)一。

書籍目錄

人物故事圖冊(cè) 雜畫圖冊(cè) 山水花鳥圖冊(cè) 十萬圖冊(cè)

章節(jié)摘錄

版權(quán)頁(yè)：   插圖：    Now housed in the Palace Museum in Beijing, the album of "Figures and Stories" consists of ten paintings, finished in ink and coloron silk, each measuring 41.4 cm in height and 33.8 cm in width. The album utilizes an almost perfect accordion binding approach for small-sized paintings. It had undergone rapid growth in the Ming and Qing Dynasties, and been a favorite of the Chinese literati for centurics. Typical Chinese scholars would often view albums to seek pleasure or restore inner peace. They would keep an album at hand and browse through it from time to time, in the same way we might appreciate a photo album today. These ancient Chinese albums arc based on a wide range of subjects, including historical events, fables and legends, anecdotes and poems. Based on the inscriptions and seal markings on each painting of the album, we can tell that the album "Figures and Storie.s" was painted by Qiu Ying (1482-1559), a renowned painter in the Ming Dyna.sty (1368-1644). Qiu Ying, also known as Qiu Shifu or Qiu Shizhou, was born in Taicang City, jiangsu Province, but later moved to Wuxian County (today's Suzhou City). Qiu was versed in figure painting, and belle painting in particular. He was skilled in a wide range of styles, including ink drawing, color drawing and line drawing. His color paintings are highly exclaimed for their brilliant use of colors and exquisite linework. Qiu also made impressive utilization of blue and green styles. His paintings of this category are defined by brilliant yet not boisterous colors, a suffusion of elegance, exquisite linework and an overall refreshing style. His works were greatly sought after during the Ming Dynasty. He was respected as one of the "Four Great Masters in the Ming Dynasty" together with Shen Zhout(l427-1509), Wen Zhengming (1470-1559) and Tang Yin (1470-1523). These four painters helped to establish Suzhou as a dominant player in the field of painting in the middle and late Ming Dynasty and thereafter.

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《明清冊(cè)頁(yè)精品(套裝共4冊(cè))》由中國(guó)青年出版社出版。

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