查泰萊夫人的情人

內(nèi)容概要

《查泰萊夫人的情人(插圖本)》是勞倫斯的景后一部長(zhǎng)篇小說(shuō)。故事的主人公是一位年輕的已婚女性——查泰萊夫人康斯坦絲（Constance）。她上層階級(jí)的丈夫范利福德（Clifford
Chatterley）在第一次世界大戰(zhàn)中因負(fù)傷而導(dǎo)致下半身終身癱瘓。性生活無(wú)法滿足的挫折使她開始邂逅一名獵場(chǎng)看守人奧刊弗·梅勒斯（Oliver
Mellors）。書中描述了查泰萊夫人和她的情人之間的肉體關(guān)系，其中露骨的性愛(ài)描寫和在當(dāng)時(shí)屬禁忌的猥褻用詞引來(lái)許多評(píng)論家的非議。這個(gè)故事的靈感據(jù)稱源自勞倫斯自己不快樂(lè)的家庭生活，故事發(fā)生的地點(diǎn)德比郡（Derbyshire）也是勞倫斯曾經(jīng)居住過(guò)的地方。

作者簡(jiǎn)介

作者：（英國(guó)）勞倫斯（Lawrence.D.H.）
勞倫斯(1885-1930)，英國(guó)短篇小說(shuō)家、詩(shī)人、散文家，20世紀(jì)英國(guó)最有成就、最有爭(zhēng)議的作家之一，主要成就包括小說(shuō)、詩(shī)歌、戲劇、散文、游記和書信。由于堅(jiān)持不懈地描述日常生活中無(wú)休止的心靈抗?fàn)?，他的許多小說(shuō)都彌漫著一種憂郁的情調(diào)。其詩(shī)歌作品則通常描述壯麗的自然風(fēng)光，和小說(shuō)的風(fēng)格截然不同。1911年母親去世后，他發(fā)表了第一部長(zhǎng)篇小說(shuō)《白孔雀》。從1914年起，他開始靠寫作謀生。1915年完成了其最偉大的、最有代表性的作品之一《虹》，但很快被禁。1920年歷經(jīng)曲折后又發(fā)表了《虹》的姊妹篇《戀愛(ài)中的女人》。第一次世界大戰(zhàn)后，勞倫斯開始尋求一種西方工業(yè)文明所無(wú)法提供的更加令人滿意的生活方式，并開始了旅行生活，于1925年回到歐洲。1928年，他的最后一部小說(shuō)《查泰萊夫人的情人》遭禁。勞倫斯在近20年的創(chuàng)作生涯中，為世人留下了10多部小說(shuō)，3本游記，3卷短篇小說(shuō)集，數(shù)本詩(shī)集、散文集和書信集及多幅美術(shù)作品。

書籍目錄

Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Notes

章節(jié)摘錄

　　He stayed that time only the three days， and to Clifford was exactly the same as on the first evening; to Connie also. There was no breaking down his external man.　　He wrote to Connie with the same plaintive melancholy note as ever， sometimes witty， and touched with a queer， sexless affection. A kind of hopeless affection he seemed to feel for her， and the essential remoteness remained the same. He was hopeless at the very core of him， and he wanted to be hopeless. He rather hated hope. Une immense esperance a traverse Laterre ，he read somewhere， and his comment was： and its darned-well　　drowned everything worth having.　　Connie never really understood him， but， in her way， she loved him. And all the time she felt the reflection of his hopelessness in her. She couldnt quite， quite love in hopelessness. And he， being hopeless， couldnt ever quite love at all.　　So they went on for quite a time， writing， and meeting occasionally in London. She still wanted the physical， sexual thrill she could get with him by her own activity， his little orgasm being over. And be still wanted to give it her. Which was enough to keep them connected.　　And enough to give her a subtle sort of self-assurance， something blind and a little arrogant. It was an almost mechanical confidence in her own powers， and went with a great cheerfulness.　　She was terrifically cheerful at Wragby. And She used all her aroused cheerfulness and satisfaction to stimulate Clifford， so that he wrote his best at this time， and was almost happy in his strange b　　ind way. He really reaped the fruits of the sensual satisfaction she got out of Michaelis male passivity erect inside her. But of course he never knew it， and if he had， he wouldnt have said thank-you！　　Yet when those days of her grand joyful cheerfulness and stimulus were gone， quite gone， and she was depressed and irritable， how Clifford longed for them again！ Perhaps if hed known he might even have wished to get her and Michaelis together again.

媒體關(guān)注與評(píng)論

　　它是一枚炸彈，是歷史上意義深遠(yuǎn)的一個(gè)轉(zhuǎn)折點(diǎn)。其關(guān)于性和愛(ài)之間權(quán)力斗爭(zhēng)的描寫無(wú)人能夠匹敵。　　——多麗絲·萊辛（英國(guó)小說(shuō)家，2007年諾貝爾文學(xué)獎(jiǎng)獲得者）　　在我們對(duì)于性的書籍和電影已司空見慣的令天，這部小說(shuō)的聞名便不再因?yàn)橐欢攘钊苏痼@的關(guān)于性的主題，而是由于勞倫斯作為一位筆法精湛的抒情作家，他的故事能夠使我們身臨其境般地進(jìn)入主人公的世界?！　　獣?/pre>


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