復活

前言

　　世界文學名著表現(xiàn)了作者描述的特定時代的文化。閱讀這些名著可以領(lǐng)略著者流暢的文筆、逼真的描述、詳細的刻畫，讓讀者如同置身當時的歷史文化之中。為此，我們將這套精心編輯的“名著典藏”奉獻給廣大讀者。　　我們找來了專門研究西方歷史、西方文化的專家學者，請教了專業(yè)的翻譯人員，精心挑選了這些可以代表西方文學的著作，、并聽取了一些國外專門研究文學的朋友的建議，不刪節(jié)、不做任何人為改動，嚴格按照原著的風格，提供原汁原味的西方名著，讓讀者能享受純正的英文名著?！　‰S著閱讀的展開，你會發(fā)現(xiàn)自己的英語水平無形中有了大幅提高，并且對西方歷史文化的了解也日益深入廣闊。　　送您一套經(jīng)典，讓您受益永遠！

內(nèi)容概要

《復活》是俄國偉大的批判現(xiàn)實主義作家列夫·托爾斯泰晚年嘔心瀝血十余載的長篇巨著，也是他一生思想和藝術(shù)的結(jié)晶。小說通過瑪絲洛娃以及監(jiān)獄中的“囚犯”蒙受的不白之冤，對沙皇的法律、法庭、監(jiān)獄、官吏以及整個國家機構(gòu)的反人民的本質(zhì)作了廣泛而深刻的揭露，是一面反映俄國農(nóng)民在革命中矛盾狀況的鏡子。

作者簡介

作者：（俄國）列夫·托爾斯泰（Tolstoy.L.N.） 譯者：（英國）路易絲·莫德

書籍目錄

Book 1
CHAPTER l
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER ll
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 2l
CHAPTER 22
CHAPTER 23
CHAPTER 24
CHAPTER 25
CHAPTER 26
CHAPTER 27
CHAPTER 28
CHAPTER 29
CHAPTER 30
CHAPTER 31
CHAPTER 32
CHAPTER 33
CHAPTER 34
CHAPTER 35
CHAPTER 36
CHAPTER 37
CHAPTER 38
CHAPTER 39
CHAPTER 40
CHAPTER 41
CHAPTER 42
CHAPTER 43
CHAPTER 44
CHAPTER 45
CHAPTER 46
CHAPTER 47
CHAPTER 48
CHAPTER 49
CHAPTER 50
CHAPTER 51
CHAPTER 52
CHAPTER 53
CHAPTER 54
CHAPTER 55
CHAPTER 56
CHAPTER 57
CHAPTER 58
CHAPTER 59
Book 2
CHAPTERl
CHAPTER2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24
CHAPTER 25
CHAPTER 26
CHAPTER 27
CHAPTER 28
CHAPTER 29
CHAPTER 30
CHAPTER 3l
CHAPTER 32
CHAPTER 33
CHAPTER 34
CHAPTER 35
CHAPTER 36
CHAPTER 37
CHAPTER 38
CHAPTER 39
CHAPTER 40
CHAPTER 41
CHAPTER 42
Book 3
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER ll
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 2l
CHAPTER 22
CHAPTER 23
CHAPTER 24
CHAPTER 25
CHAPTER 26
CHAPTER 27
CHAPTER 28

章節(jié)摘錄

版權(quán)頁：She carried herself very straight, expanding her full bosom.   With her head slightly thrown back, she stood in the corridor iookingstraight into the eyes of the jailer, ready to comply with any order.The jailer was about to lock the door when a wrinkled, stern-looking oldwoman put out her grey head and began speaking to Maslova. But the jailerclosed the door, pushing the old woman's head with it. A woman's laughwas heard from the cell, and Maslova smiled, turning towards the littleopening in the cell door. The old woman pressed her face to the hole fromthe other side, and said in a hoarse voice: -"Now mind, and when they begin questioning you, just go on repeatingthe same thing and stick to it; say nothing that is nt wanted.""Well, it could not be worse than it is now, anyhow: I only wish it weresettled one way or another."   "Of course, it will be settled one way or another," said the chief jailer,with the self-assured wit ofa superior. "Now then, get along！"   The old woman's eyes vanished from the opening, and Maslova steppedout into the middle ofthe corridor. The chiefjailer in front, they descendedthe stone stairs, passed the still fouler, noisy cells of the men's ward,followed by eyes looking out of every one of the holes in the doors; andentered the office, where two soldiers were waiting to escort her. A clerksitting there gave one of the sldiers a paper reeking of tobacco, andpointing to the prisoner, remarked, "Take her."

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