王士元語(yǔ)音學(xué)論文集

內(nèi)容概要

　　《王士元語(yǔ)音學(xué)論文集》收入王士元先生論文37篇，集中于語(yǔ)音學(xué)及相關(guān)領(lǐng)域研究，分為六個(gè)部分：語(yǔ)音學(xué)研究（14篇）、語(yǔ)音信息量研究（2篇）、音系學(xué)研究（3篇）、詞匯擴(kuò)散理論（11篇）、語(yǔ)言演變模型研究（2篇）、語(yǔ)音合成和識(shí)別研究（5篇）。本文集基本涵蓋了王士元先生在語(yǔ)音學(xué)及相關(guān)領(lǐng)域的研究成果，其中，“詞匯擴(kuò)散理論”是王士元先生對(duì)世界語(yǔ)言學(xué)理論的重要貢獻(xiàn)，相關(guān)論文全部收入。

作者簡(jiǎn)介

　　王士元（William S-Y Wang），美國(guó)加州大學(xué)伯克利分校名譽(yù)退休教授。香港中文大學(xué)偉倫研究教授。王士元先生在語(yǔ)音學(xué)、語(yǔ)言學(xué)等多個(gè)領(lǐng)域都有杰出貢獻(xiàn).并大力倡導(dǎo)跨學(xué)科研究；1960年以聲學(xué)語(yǔ)音學(xué)方面的論文獲得美國(guó)密歇根大學(xué)博士學(xué)位；1969年創(chuàng)立“詞匯擴(kuò)散”理論。聞名于世界語(yǔ)言學(xué)界。

書(shū)籍目錄

編者導(dǎo)言Segmentation Techniques in Speech SynthesisSegment Inventory for Speech SynthesisTransition and Release as Perceptual Cues for Final PlosivesFrequency Studies of English ConsonantsIntrinsic Cues and Consonant PerceptionThe Perception of Stops after sPhonological Features of ToneThe Measurement of Functional LoadTone 3 in PekineseVowel Features，Paired Variables，and the English Vowel ShiftPerceptual Distance and the Specification of Phonological FeaturesCompeting Changes as a Cause of ResidueImplementation of Phonological Change：The Shuang-Feng Chinese CaseProject DOC：Its Methodological BasisTone Change in Ch60-Zhou Chinese：A Study in Lexical DiffusionThe Many Uses of F0Why and How do We Study the Sounds of Speech?Sound Change：Actuation and ImplementationPerception of Sentence Boundaries With and Without Semantic InformationPsychophysical Pitch Biases Related to Vowel Quality，Intensity Difference， and Sequential OrderUse of Optical Distance Sensing to Track Tongue MotionLanguage Change：A Lexical PerspectiveVariation and Selection in Language Change聲調(diào)感知問(wèn)題A Note on Tone DevelopmentMiddle Chinese Tones in Modern DialectsClosure Duration in the Classification of Stops：A Statistical AnalysisBidirectional Diffusion in Sound Change吳語(yǔ)濁塞音的研究——統(tǒng)計(jì)上的分析和理論上的考慮Snowball Effect in Lexical Diffusion：The Development of-s in the Third Person Singular Present Indicative in EnglishPerformance of Mandarin Connected Digit Recognizer with Word Duration ModelingOptimization Models of Sound Systems Using Genetic AlgorithmsComputational Studies of Language EvolutionAn Innovative Prosody Modeling Method for Chinese Speech RecognitionTone Recognition of Continuous Cantonese Speech Based on Suppo Vector Machines宏觀(guān)語(yǔ)音學(xué)

章節(jié)摘錄

　　In the synthesized sentence presented in this paper（Figs.3-5），35 of the 43 postulated phonetic units occur.It is composed of over 40 segments of tape，including one segment of silence between the two clauses.The segments are extracted from 42 different context utterances，recorded on magnetic tape.　　The context utterances were constructed so to contain the desired segments the proper sequence of phonetic units in suitable prosodic environ.ments.In recording these context utterances，care was taken to standardize the phonetic quality of the units as well as the prosodic features in which the units Occur.The utterances were recorded onto an Ampex tape recorder at 30 in.／sec.Broad band and narrow band spectrograms were made to determine the position of segmentation to insure proper matching of formants and har.monics between segments.Sometimes the formants matched at one position and the harmonics at another.In such instances，it was necessary to re.record the context utterance，changing the prosodic environment by a small amount each time until proper matching was achieved；attention was given simuhane. ously to preserving the naturalness of the speech dynamics.　　When the context utterances were completed.a visible mark Was made on the tape near each desired segment by means of a magnetized razor blade.　　This mark appears in the spectrogram as a pulse.The limits of the desired segment can then be located on the tape with the visible mark as a reference.　　These segments were spliced together and broad band and naow band spectrograms of the synthesized utterance are shown in Figs.3 and 4.The tenth harmonic on the naow band spectrogram was traced to show the relative Ditch contour.The oscillograms in Fig.5 show the resulting amplitude pattern.

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