英語專業(yè)考研名校英美文學(xué)模擬試題

前言

　　《北京環(huán)球時(shí)代學(xué)校英語專業(yè)考研名校模擬題圖書》是集北京環(huán)球時(shí)代學(xué)校的教學(xué)課程——英語專業(yè)考研強(qiáng)化課程5年來教材之精華編撰而成。目的是幫助報(bào)考英語專業(yè)研究生的學(xué)生熟悉各名校考題的考試重點(diǎn)、考綱、題型、出題范圍和資料來源。特別適合于經(jīng)過了基礎(chǔ)階段學(xué)習(xí)之后的拔高階段使用。　　編撰者力圖在信度、效度、難度和權(quán)威性上貼近各?？碱}的出題形式和出題內(nèi)容。本書是國(guó)內(nèi)關(guān)于英語專業(yè)考研模擬教材方面的首套教材，實(shí)屬難得?！　∮捎跁r(shí)間緊迫，若有不當(dāng)之處，敬請(qǐng)廣大讀者不吝指正?！　▲Q謝我的學(xué)生：秦芳、王麗俐、胡曉俊、程艷、張艷茹、靳姝、郝運(yùn)慧、王佳。他們?cè)诰帉戇^程中付出了辛勤的汗水和勞動(dòng)，為此書的出版做出了一定的貢獻(xiàn)。

內(nèi)容概要

《英語專業(yè)考研名校英美文學(xué)模擬試題》為《北京環(huán)球時(shí)代學(xué)校英語專業(yè)考研名校模擬題圖書》之一，是專門為英語專業(yè)學(xué)生報(bào)考研究生而準(zhǔn)備，是針對(duì)英語專業(yè)英美文學(xué)知識(shí)的高度總結(jié)與拔高。我們?cè)趨⒖紘?guó)內(nèi)英語專業(yè)碩士研究生英美文學(xué)方向的真題題型的基礎(chǔ)上，結(jié)合自己的命題經(jīng)驗(yàn)編寫。模擬題包括以下題型：名詞解釋與文學(xué)術(shù)語、選擇題、作品分析、簡(jiǎn)答題與論述題。些題不僅完全覆蓋了全國(guó)各高校英語專業(yè)英美文學(xué)考試的全部考點(diǎn)，并且各種題型從不同角度和深度、通過完全仿真的練習(xí)加強(qiáng)和鞏固了考生對(duì)知識(shí)點(diǎn)的掌握。

書籍目錄

英美文學(xué)模擬試題（一）英美文學(xué)模擬試題（一）參考答案英美文學(xué)模擬試題（二）英美文學(xué)模擬試題（二）參考答案英美文學(xué)模擬試題（三）英美文學(xué)模擬試題（三）參考答案英美文學(xué)模擬試題（四）英美文學(xué)模擬試題（四）參考答案英美文學(xué)模擬試題（五）英美文學(xué)模擬試題（五）參考答案英美文學(xué)模擬試題（六）英美文學(xué)模擬試題（六）參考答案英美文學(xué)模擬試題（七）英美文學(xué)模擬試題（七）參考答案英美文學(xué)模擬試題（八）英美文學(xué)模擬試題（八）參考答案英美文學(xué)模擬試題（九）英美文學(xué)模擬試題（九）參考答案英美文學(xué)模擬試題（十）英美文學(xué)模擬試題（十）參考答案英美文學(xué)模擬試題（十一）英美文學(xué)模擬試題（十一）參考答案英美文學(xué)模擬試題（十二）英美文學(xué)模擬試題（十二）參考答案英美文學(xué)模擬試題（十三）英美文學(xué)模擬試題（十三）參考答案英美文學(xué)模擬試題（十四）英美文學(xué)模擬試題（十四）參考答案英美文學(xué)模擬試題（十五）英美文學(xué)模擬試題（十五）參考答案英美文學(xué)模擬試題（十六）英美文學(xué)模擬試題（十六）參考答案英美文學(xué)模擬試題（十七）英美文學(xué)模擬試題（十七）參考答案英美文學(xué)模擬試題（十八）英美文學(xué)模擬試題（十八）參考答案英美文學(xué)模擬試題（十九）英美文學(xué)模擬試題（十九）參考答案英美文學(xué)模擬試題（二十）英美文學(xué)模擬試題（二十）參考答案

章節(jié)摘錄

　　1.（a） Shakespeares major characters are neither merely individual ones nor type ones， they are individuals representing certain types. Each character has his or her own personalities; meanwhile, they may share features with others. （b） By applying a psycho-analytical approach, Shakespeare succeeds in exploring the characters inner mind. （c） Shakespeare seldom invents his own plots; instead, he borrows them from some old plays or storybooks, or from ancient Greek and Roman sources. （d） In his writing, disguise is also an important device to create dramatic irony, usually with woman as man. （e） He often wrote skillfully in different poetic forms, like sonnet, the blank verse, and the rhymed couplet.　　2.（a） Hamlet has none of the single-minded blood lust of the earlier revengers. It is not because he is incapable of action, but because the cast of his mind is so speculative, so questioning, and so contemplative that action, when it finally comes, seems almost like defeat, diminishing rather than adding to the stature of the hero. （b） Trapp~ in a nightmare world of spying, testing and plotting, and apparently bearing the intolerable burden of the duty to revenge his fathers death, Hamlet is obliged to inhabit a shadow world, to live suspended between fact and fiction, language and action. His life is one of constant role-playing, examining the nature of action only to deny its possibility for he is too sophisticated to degrade his nature to the conventional role of a stage revenger. （c） For such a figure, soliloquy is a natural medium, a necessary release of his anguish; and some of his questioning monologues possess surpassing power and insight, which have survived centuries of being tom from their context.　　3.（a） It usually refers to Geoffrey Chaucer whose masterpiece The Canterbury Tales ranks as one of the greatest poetic works in English literature. （b） Chaucer made a great contribution to English poetry by introducing from France the rhymed stanzas of various types to English poetry to replace the Old English alliterative verse. It was he who used for the first time in English the rhymed couplet of iambic pentameter which was later called the heroic couplet. （c） Chaucer was the first to write in the current English language. Though drawing influence from French, Italian and Latin models, he did much in making the dialect of London the foundation for modem English language. （d） In his works Chaucer developed his characterization to a higher artistic level by presenting characters with both typical qualities and individual dispositions. That is why John Dryden called him the Father of English Poetry.

編輯推薦

　　《英語專業(yè)考研名校英美文學(xué)模擬試題（全新精華版）》北京環(huán)球時(shí)代學(xué)校英語專業(yè)考研點(diǎn)睛圖書　　實(shí)用·權(quán)威英研必備　　仿真模擬、濃縮考點(diǎn)、權(quán)威分析、注重實(shí)戰(zhàn)、注重信度、強(qiáng)調(diào)效度　　特別提示：全國(guó)英語專業(yè)考研模擬題一本通，囊括國(guó)內(nèi)名校英語專業(yè)考研題型，一線導(dǎo)師親自命題點(diǎn)撥詳解考點(diǎn)。

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