中西繪畫比較

出版時間:2008-3  出版社:五洲傳播出版社  作者:吳菁  頁數(shù):142  譯者:王國振,漢佳,李萍  
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內(nèi)容概要

  Ms. Wu Jing is a native of Beijing. She graduated from the Art History Department of Century Academy of Arts & Design (now The Fine Arts School of Tsinghua University) in 1989. Now, she works as an associate professor in the Institute of Arts & Design of Beijing Polytechnic University, She has published articles on "Peoples Daily (Overseas Edition)". She is one of the editors of "Chinese traditional handicrafts - gold and silver filament technology and cloisonne" which was awarded The First Excellent Publications (books) Award of China.

書籍目錄

PrefaceChapter Ⅰ: The Expression of Individualities and Psychological Self Comfort——The Comparison of Historical Roles between Chinese and Western Paintings.  The Carrier for Records of Human Events in Early Times - Rock and Cave Paintings  Pottery Decoration and Decorations on Other Wares  Paintings with Religious Themes  Western Paintings from the Altar to a Man's World  Chinese Paintings of Propaganda, Education and SympathyChapter Ⅱ: The Directness of the Hunting Style and the Restraint of the Farming Style——A Comparison of Emotions between Chinese and Western Paintings.  Directness and Restraint  Sense and Sensibility  Objective and Subjective  Restriction and OpeningChapter Ⅲ Express in a Flat Way and Place Feelings on the Landscape——A Comparison of the Tendency in Themes between Chinese and and Western Paintings  Different Expressive Ways on Same Themes  Narrative and Landscape PaintingsChapter Ⅳ: Colours and Inks——A Comparison of Colour Cone pts and Usage between  Chinese and Wesern Paintings  Colours and Inks in Landscapes  Colour Taboos in Painting  Five-colour InksChapter Ⅴ: Rich-colour Painting and Light Water-ink Painting——Arison of Skills between Chinese and Western Paintings  Focus and Scattered-points Perspective    Surface and Line    Addition and Subtraction  Abstraction, Generalization and Representation  Parts and the WholeChapter Ⅵ:Dialectics between Motion and Rest——Comparison of Representational Forms between Chinese and Western PaintingsAppendix: A Brief Introduction to Chinese and Western Painting Materials

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