美國(guó)受眾成長(zhǎng)記

內(nèi)容概要

　　《美國(guó)受眾成長(zhǎng)記》對(duì)戲劇、電影、廣播和電視等各種類型美國(guó)娛樂(lè)業(yè)的受眾進(jìn)行了全面深刻的考察和分析。對(duì)我國(guó)當(dāng)前文化產(chǎn)業(yè)的從業(yè)人員和文化研究者具有極強(qiáng)的啟發(fā)意義。理查德·布茨在書(shū)中為我們提供了全面的歷史和精良的分析，他用優(yōu)秀的傳統(tǒng)精巧打造了這部勘查史。　　《美國(guó)受眾成長(zhǎng)記》目的旨在提供一個(gè)受眾的歷史，尤其是通過(guò)比較年代較早的爭(zhēng)鳴狀況來(lái)揭示20世紀(jì)爭(zhēng)鳴狀況的歷史。民眾或?qū)W者對(duì)受眾的討論長(zhǎng)期以來(lái)缺乏一個(gè)歷史的語(yǔ)境。例如，對(duì)看電視的關(guān)注很難上溯到對(duì)聽(tīng)廣播或看電影的思考，更不用說(shuō)聯(lián)系到流行于19世紀(jì)的娛樂(lè)方式，如：情節(jié)劇、烏臉戲、匯藝秀等。而作為當(dāng)今論爭(zhēng)核心的那些議題曾經(jīng)被翻來(lái)覆去地倒騰過(guò)，有時(shí)名目相同，有時(shí)花樣翻新。作者希望《美國(guó)受眾成長(zhǎng)記》能為有關(guān)中國(guó)和亞洲娛樂(lè)觀眾的研究以及比較研究提供借鑒。

作者簡(jiǎn)介

(Ph.D. Rutgers University) teaches in the areas of Media, Culture Studies and Social Psychology. He has served as chairperson of the Department of Sociology and president of the Rider AAUP. He was 2008 Fulbright Distinguished Chair in Italy and a recipient of the Iorio Scholarly Achievement Award. He authored The Citizen Audience: Crowds, Publics and Individuals (Routledge, 2007) and The Making of American Audiences from Stage to Television, 1750-1990 (Cambridge University Press, 2000), which received the American Culture Association Cawelti Prize and the International Communication Association’s Best Book Award for 2000-2001. He is editor of Media and Public Spheres (Palgrave, 2007), and For Fun and Profit: The Transformation of Leisure into Consumption (Temple University Press, 1990); and has published numerous articles in American studies, sociology, history and communication journals. He is a member of the advisory boards of Popular Communication, a journal of the International Communication Association, and Particip@tions, an on-line journal of audience research. He is currently writing a global history of screen culture, a history of representations of manual labor and laborers in Twentieth-Century American culture, and an introduction to sociology textbook.

書(shū)籍目錄

中文版序言英文版序?qū)а裕悍e極參與的公眾，消極被動(dòng)的私人?1.殖民地戲院，有特權(quán)的觀眾2.共和早期的戲劇觀眾3.杰克遜時(shí)代戲院里的“青皮”4.知識(shí)以及觀眾主宰權(quán)的衰落5.看日?qǐng)鰬虻呐浚簯蛟河^眾的性別變化6.黑臉，白臉7.綜藝、灑水和色欲8.“匯藝秀”，大混合9.世紀(jì)之交的“正規(guī)”與“不正規(guī)”的戲院10.賽璐璐舞臺(tái)：鎳幣影院的觀眾11.從店鋪到影劇院：尋求中產(chǎn)階級(jí)12.來(lái)自天空的聲音：早期的廣播收聽(tīng)13.柜式收音機(jī)與連鎖廣播網(wǎng)14.鄉(xiāng)村廣播：“我們不再孤獨(dú)”15.恐懼與夢(mèng)想：關(guān)于廣播的公共話語(yǔ)16.電子的獨(dú)眼巨人：50年代的電視17.千家萬(wàn)戶的電視：電視的“效果”18.家用錄像：觀眾的自治?19.結(jié)論：從效果到抵制及其超越附錄：便利程度、承擔(dān)能力以及門票價(jià)格中英文詞匯對(duì)照表譯者后記

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