劉九庵書畫鑒定文集

內(nèi)容概要

　　故宮博物院研究員劉九庵先生曾任國家文物局文物咨議委員會委員、國家文物鑒定委員會常務(wù)委員、全國書畫鑒定組組員，是著名的中國書畫鑒定家。這部穴劉九庵書畫鑒定文集》是他畢生研究成果的精粹，反映了他在中國書畫鑒定方面所取得的多方面成就和卓越水平?！　∷恼撐牡囊粋€重要的特點(diǎn)，就是所談的問題大都非常具體、細(xì)致、專業(yè)化，使讀者易于理解和掌握要領(lǐng)，具有可操作性。　　著名書畫鑒定家張珩先生曾說過“既想知真，必須知假。”劉九庵先生也特別強(qiáng)調(diào)書畫鑒定中的辨?zhèn)闻c知真的問題，故其第一篇論文《談中國古代書畫鑒定》即先從辨?zhèn)伍_始。他總結(jié)自己數(shù)十年研究心得，列舉了摹、臨、仿、代、改、造六種作偽的方法，詳細(xì)舉例，加以辨析，然后在余論中介紹如何知真，包括時代風(fēng)氣、個人特點(diǎn)等，并強(qiáng)調(diào)知真和辨?zhèn)蜗嘟Y(jié)合，纔能更好的把握書畫鑒定工作。

作者簡介

劉九庵（1915年－1999年），河北省冀縣大齊村人。14歲到北京琉璃廠悅古齋字畫店學(xué)徒，長達(dá)12年之久，從此與古書畫結(jié)下不解之緣。后曾獨(dú)自營銷、代售古舊字畫。1956年入北京故宮博物院，專門從事古書畫的征集、鑒定和研究工作，是我國當(dāng)代著名的古書畫鑒定家。歷任國家歷史文

書籍目錄

Introduction to A Collection of Essays on the Authentication of Chinese Painting and Calligraphy by Liu Jiu'an                                               Many a Little Makes a Mickle. A Review of the Past Forges Open the FutureA Collection of Essays on the Authentication of Chinese Painting and Calligraphy by Liu jiu'anA Discussion on the Authentication of Ancient Chinese Painting and CalligraphyThe Styles and Patterns of Signatures of Ancient Chinese Painting and Calligraphy and Their AuthenticationForged Inscriptions and Signatures on Chinese Painting and Calligraphy and Their IdentificationThe Names of Recipients on Ancient Chinese Painting and Calligraphy and Their AuthenticationA Brief Study of the Song Connoisseur-Collector of Chinese Painting and Calligraphy,Xiang ShuiAn Identification of Su Shi's Notes from the Pavilion of an Old Drunk in Running-Cursive ScriptA Discussion of Several Problems on Mi Fu's Self-Written Letters and Poems and His Copies of Those of the Ancient MastersA Record of Song Colophons on the Imperial Certificate of Appointment of the Tang Official. Fan SuiA Few Problems Concerning the Painting Scrolls Excavated from the Tomb of Zhu Tan The Calligraphy of Zhao MengfuCollected Studies of the Calligraphy of Zhao MengfuAn Authentication of Three Paintings by Ni ZanAn Authentication of Two Works of Calligraphy by Zhang Yu of Yuan DynastyPaintings on the Courtesy Names of the Wu School Painters and Examples for Their AuthenticationMing Calligraphy at the Height of the Study of Model-LettersFour Model Scrolls of Calligraphy of Ma Yu in the Collection of the Palace MuseumAn Authentication of the Works of Calligraphy by Wang ChongA Differentiation between Zhu Yunming's Self-Written Poems in Cursive Script and the ForgeriesZhu Yunming and His Copies of Ancient Poems in the Styles of Six MastersAn Identification of the Biographies of Suzhou Personages in Chenghua Period Compiled by Zhu Yunming in Small-Seal ScriptAn Authentication of the Works by the Wulin, Huangshan and Xinan SchoolsReading Notes on Yuanji's Viewing the Waterfall at Cuijiao PeakA Verification of the Author of Celebration of Birthday at Xilou as Shi Qian. not Shi TaoA Summary of Several Problems on Bada Shanren's Painting and CalligraphyA Comprehensive Survey of Jin Nong's Art of CalligraphyAn Examination and Analysis of the Paintings by Jin Nong and Those Done in His SteadSome Trifles on Zhang Daqian's Forgery of Famous Works of Painting and Calligraphy and Their IdentificationA Few Evidential Proofs on Ming and Qing Ghostwriting of Painting and Calligraphy-Some Anecdotes from LettersA Study of the Meaning of the Term "Zuochong" in Ming LettersA Ming Model-Letter on Riverside Scene at Qingming FestivalA Discussion of the Essay, Entitled "An Examination and Analysis of Shi Kefa's Letters and Other Matters"Ten Personal Letters of Lin ZexuEditor's Preface to The Masterpieces of Chinese Cultural RelicsPreface to Selected Works of Ming and Qing Painting and Calligraphy in the Collection of Deng YongqingA Double Beauty of Language and Calligraphy  Preface to Couplets by Modern Famous ExpertsAppendices

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