理智與情感

前言

　　一部文學(xué)史是人類從童真走向成熟的發(fā)展史，是一個(gè)個(gè)文學(xué)大師用如椽巨筆記載的人類的心靈史，也是承載人類良知與情感反思的思想史。閱讀這些傳世的文學(xué)名著就是在閱讀最鮮活生動(dòng)的歷史，就是在與大師們做跨越時(shí)空的思想交流與情感交流，它會(huì)使一代代的讀者獲得心靈的滋養(yǎng)與巨大的審美滿足。　　中國(guó)對(duì)外翻譯出版公司以中外語(yǔ)言學(xué)習(xí)和中外文化交流為自己的出版方向，向廣大讀者提供既能提升語(yǔ)言能力，又能滋養(yǎng)心靈的精神大餐是我們的一貫宗旨。盡管隨著網(wǎng)絡(luò)技術(shù)和數(shù)字出版的發(fā)展，讀者獲得這些作品的途徑更加便捷，但是，一本本裝幀精美、墨香四溢的圖書(shū)仍是讀書(shū)人的最愛(ài)?！　　笆熳x唐詩(shī)三百首，不會(huì)做詩(shī)也會(huì)吟”，漢語(yǔ)學(xué)習(xí)如此，外語(yǔ)學(xué)習(xí)尤其如此。要想徹底學(xué)好一種語(yǔ)言，必須有大量的閱讀。這不僅可以熟能生巧地掌握其語(yǔ)言技能，也可了解一種語(yǔ)言所承載的獨(dú)特文化?！爸凶g經(jīng)典文庫(kù)?世界文學(xué)名著（英語(yǔ)原著版）”便是這樣一套必將使讀者受益終生的讀物。

內(nèi)容概要

《理智與情感》圍繞著兩位女主人公的擇偶活動(dòng)展開(kāi)，著力揭示出當(dāng)時(shí)英國(guó)社會(huì)潮流中，以婚配作為女子尋求經(jīng)濟(jì)保障、提高經(jīng)濟(jì)地位的惡習(xí)，重門第而不顧女子感情和做人權(quán)利的丑陋時(shí)尚。小說(shuō)中的?主角均追求與男子思想感情的平等交流與溝通，要求社會(huì)地位上的平等權(quán)利，堅(jiān)持獨(dú)立觀察、分析和選擇男子的自由。在當(dāng)時(shí)的英國(guó)，這幾乎無(wú)異于反抗的吶喊。
本書(shū)為英語(yǔ)原著版。

作者簡(jiǎn)介

簡(jiǎn)·奧斯?。↗ane
Austen，1775年12月16日－1817年7月18日）是英國(guó)著名女性小說(shuō)家，她的作品主要關(guān)注鄉(xiāng)紳家庭女性的婚姻和生活，以女性特有的細(xì)致入微的觀察力和活潑風(fēng)趣的文字真實(shí)地描繪了她周圍世界的小天地。奧斯汀終身未婚，家道小康。由于居住在鄉(xiāng)村小鎮(zhèn)，接觸到的是中小地主、牧師等人物以及他們恬靜、舒適的生活環(huán)境，因此她的作品里沒(méi)有重大的社會(huì)矛盾。她以女性特有的細(xì)致入微的觀察力，真實(shí)地描繪了她周圍世界的小天地，尤其是紳士淑女間的婚姻和愛(ài)情風(fēng)波。她的作品格調(diào)輕松詼諧，富有喜劇性沖突，深受讀者歡迎。
 簡(jiǎn)·奧斯汀的代表作品有《理智與情感》
(Sense and Sensibility, 1811)，《傲慢與偏見(jiàn)》(Pride and Prejudice,
1813)，《曼斯菲爾德莊園》(Mansfield Park, 1814)，《愛(ài)瑪》(Emma,
1815)，《諾桑覺(jué)寺》(Northanger Abbey, 1818, 死后出版)，以及《勸導(dǎo)》(Persuasion, 1818,
死后出版)。

書(shū)籍目錄

Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50

章節(jié)摘錄

　　The reasons for this alteration were at the same time related, and theywere such as to make further entreaty on his side impossible. His concernhowever was very apparent; and after expressing it with earnestness,he added in the same low voice, "But, Marianne, the horse is still yours,though you cannot use it now. I shall keep it only till you can claim it.When you leave Barton to form your own establishment in a more lastinghome, Queen Mab shall receive you."　　This was all overheard by Miss Dashwood; and in the whole of thesentence, in his manner of pronouncing it, and in his addressing her sisterby her Christian name alone, she instantly saw an intimacy so decided, ameaning so direct, as marked a perfect agreement between them. Fromthat moment she doubted not of their being engaged to each other; and thebelief of it created no other surprise than that she, or any of their friends,should be left by tempers so frank to discover it by accident.　　Margaret related something to her the next day which placed this matterin a still clearer light. Willoughby had spent the preceding evening withthem, and Margaret, by being left some time in the parlour with only himand Marianne, had had opportunity for observations, which, with a mostimportant face, she communicated to her elder sister when they were nextby themselves.　　"Oh！ Elinor," she cried, "I have such a secret to tell you aboutMarianne. I am sure she will be married to Mr. Willoughby very soon."　　"You have said so," replied Elinor, "almost everyday since they firstmet on High-church Down; and they had not known each other a week, Ibelieve, before you were certain that Marianne wore his picture round herneck; but it turned out to be only the miniature of our great uncle."　　"But indeed this is quite another thing. I am sure they will be marriedvery soon, for he has got a lock of her hair."　　"Take care, Margaret. It may be only the hair of some great uncle ofhis."　　"But indeed, Elinor, it is Mariannes. I am almost sure it is, for I sawhim cut it off. Last night after tea, when you and mamma went out of theroom, they were whispering and talking together as fast as could be, andhe seemed to be begging something of her, and presently he took up herscissors and cut off a long lock of her hair, for it was all tumbled down herback; and he kissed it, and folded it up in a piece of white paper, and put itinto his pocketbook."

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