美國文學(xué)作品選讀

內(nèi)容概要

汪冷、田麗主編的《美國文學(xué)作品選讀(第2版)》一書按美國文學(xué)史的五個發(fā)展階段簡略介紹了美國文學(xué)發(fā)展的時代背景以及每一個發(fā)展時期最重要的作家的生平、代表作及寫作風(fēng)格。
《美國文學(xué)作品選讀(第2版)》精選了18世紀末至20世紀80年代美國20
位作家的名篇。這些作品從不同角度反映了美國社會不同時期的某些側(cè)面；作品種類包括長、短篇小說、詩歌、散文、戲劇等。該書借助西方文論精心設(shè)計了討論題，以開拓學(xué)生思路。書后所附答案可供學(xué)生自學(xué)時參考。
該書可供教學(xué)時數(shù)為40課時的文學(xué)課使用，也可用作大學(xué)英語研究生和本科生輔修課教材或文學(xué)愛好者的讀物。

書籍目錄

Chapter One  American Tracendentalism and Romanticism
  Introduction to the Background
  Edgar Allan Poe
    The Raven
  Ralph Waldo Emeon
    Self-Reliance
  Nathaniel Hawthorne
    The Minister's Black Veil
  Herman Melville
    Moby Dick
  Walt Whitman
    Selected Poems
  Emily Dickion
    Selected Poems
Chapter Two  American Realism
  Introduction to the Background
  Mark Twain
    The Adventures of Huckleberry Finn
  Henry James
    Daisy Miller
Chapter Three  American Naturalism
  Introduction to the Background
  Stephen Crane
    The Red Badge of Courage
  Robert Frost
    Selected Poems
Chapter Four  American Modernism
  Introduction to the Background
  Ezra Pound
    In a Station of the Metro
  Wallace Steve
    Selected Poems
  William Carlos Williams
    The Red Wheelbarrow
  T. S. Eliot
    The Waste Land
  Francis Scott Fitzgerald
    The Great Gatsby
  William Faulkner
    That Evening Sun
  Ernest Hemingway
    A Clean, Well-Lighted Place
  John Steinbeck
    The Grapes of Wrath
  Eugene O'Neill
    Long Day's Journey into Night
Chapter Five  American Literature Since 1945
  Introduction to the Background
  Ralph Etlison
    Invisible Man
  Saul Bellow
    Herzog
  Toni Morrison
    Beloved
Key
References

章節(jié)摘錄

　　But now we are a mob. Man does not stand in awe of man， nor is the soul ad- monished to stay at home， to put itself in communication with the internal ocean， but it goes abroad to beg a cup of water of the urns of men. We must go alone. Isolation must precede true society. I like the silent church before the service begins， better than any preaching. How far off， how cool， how chaste the persons look， begirt each one with a precinct or sanctuary. So let us always sit. Why should we assume the faults of our friend， or wife， or father， or child， because they sit around our hearth， or are said to have the same blood? All men have my blood， and I have all mens. Not for that will I adopt their petulance or folly， even to the ex- tent of being ashamed of it. But your isolation must not be mechanical， but spiritual， that is， must be elevation. At times the whole world seems to be in conspiracy to importune you with emphatic trifles. Friend， client， child， sickness， fear， want， charity， all knock at once at thy closet door and say， "Come out unto us. " ——Do not spill thy soul； do not all descend； keep thy state； stay at home in thine own heaven； come not for a moment into their facts， into their hubbub of conflicting appearances， but let in the light of thy law on their confusion. The power men possess to annoy me， I give them by a weak curiosity. No man can come near me but through my act. "What we love that we have， but by desire we bereave our- selves of the love. "

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