翻譯的文化操控

內(nèi)容概要

　  《翻譯的文化操控：胡適的改寫與新文化的建構》是翻譯理論模式與翻譯案例互動的研究。它以翻譯學文化派的主要代表人物Andre Lefevere的改寫理論為框架，以胡適在新文化運動時期的代表作和譯作為案例，把胡適對西方文學——尤其是Ezra Pound和 Henrik Ibsen的作品——的改寫、翻譯置于歷史、文化的大背景下，論證這些作品在多大程度上是對西方文學理論和作品的翻譯與改寫。從社會、政治、接受美學等角度分析接受環(huán)境的主流文化和意識形態(tài)如何操控材料的取舍、內(nèi)容的過濾、成品的接受。還涉及到轉(zhuǎn)譯、重譯、模仿等形式?！? 多種形式的改寫在我國現(xiàn)代史中，尤其在新文化運動這一重要歷史轉(zhuǎn)型期對建構新文學和新文化有著與狹義的翻譯同等重要的作用。然而，這些形式上不明顯的翻譯還沒有真正成為翻譯研究的對象。本書首次從改寫角度研究胡適對新文化運動的貢獻。強調(diào)他的改寫翻譯的研究價值和對文學變革的影響。富含新意。作者在利用改寫理論解釋我國翻譯現(xiàn)象的同時，也對該理論進行了批判，這對建設和豐富我國翻譯理論有著積極的意義?！? 《翻譯的文化操控：胡適的改寫與新文化的建構》作者在英國曼徹斯特大學翻譯與跨文化研究中心獲得博士學位，本書遵循英倫學術規(guī)范，使用地道的學術英語，對材料的印證縝密、論證翔實。文中凡引用或轉(zhuǎn)述別人的觀點或中外文史資料都詳細注明出處， 加上大量的腳注和書后的參考書目，為同類或后續(xù)研究者提供了最新且又豐富的參考資料源。適用于翻譯學、比較文學和比較文化專業(yè)的研究人員，特別是翻譯學研究生、高校英語教師和英語專業(yè)高年級學生。　  國際著名翻譯理論家Mona Baker教授為本書作了序。

書籍目錄

TABLE OF CONTENTSForeword前言AbstractChapter1:Introduction1.1 Rationale for Focusing on Hu Shi and the New Culture Movement1.2 Issues Reflected in the Neglect of Hu's Rewritings1.3 Overview of the Book1.3.1 Structure1.3.2 Clarification of Terms and PresentationChapter2:Rewriting Theory2.1 The Theoretical Context Within and Outside Translation Studies2.1.1 The Shift from a Source-oriented to a Target-oriented Approach2.1.1.1 Literary Criticism2.1.1.2 Even-Zohar's Polysystem Theory2.1.1.3 Hermans' Anthology of Translation Studies2.1.1.4 Holmes'Concept of Translation Sociology2.1.2 The Broadening of the Concept of Translation2.2 Rewriting Theory:An Overview2.2.1 The Control Factors2.2.1.1 The Concept of Control Factors2.2.1.2 Assessing the Notion of Control Factors2.2.2 Forms of Rewriting2.2.2.1 Assessing the ClassificationChapter3:Hu Shi Canonised:The Interaction Between Ideology，Poetics and Patronage3.1 The Hu Shi Canon3.2 The Macro-Ideological Climate3.2.1 The Political Situation3.2.2 Official Attitudes Towards Learning from the West3.2.3 Reform in Education3.3 Hu's Seminal“EightDon'ts”，its Nature as Rewriting and its Impact on Literary Circles3.3.1 The Essay3.3.2 Hu's Essay as Rewriting3.3.2.1 The General Influence of the Renaissance Model3.3.2.2 The Influence of Pound's“A Few Don'ts”3.3.3 The Impact on Chinese Language，Literature and Translation3.4 Institutional Settings and Patronage3.4.1 Hu Shi and New Youth3.4.2 Hu Shi and Beijing University3.4.3 Support from Professionals3.5 ConclusionChapter4:Hu Shi's Rewritings of Ibsen and Their Impact on Chinese Society4.1 Ibsen as Seen in the Eyes of His English Rewriters4.1.1 Major Sources Through Which Hu Shi Accessed Ibsen4.1.2 William Archer's Translation of Ibsen:Authoritative and Poetics-oriented4.1.3 George Bernard Shaw's Interpretation of Ibsen4.2 Hu Shi's Critical Essay“Ibsenism”4.2.1 Production of the Essay4.2.2 Some Textual Analysis of the Essay4.2.3 Ibsenism or Hu-Shi-ism?4.2.4 Hu's Filtering4.2.5 Conclusion4.3 Hu Shi's Imitation of Ibsen:Life s Greatest Event4.3.1 Hu's One-act Play4.3.2 The Ideological and Poetological Needs of the Target Culture4.3.3 Comparative Analysis of Ibsen's and Hu Shi's Plays4.3.4 ConclusionChapter5:Contextual and Textual Analyses of Hu Shi's Translations5.1 Choice of Source Cultures5.1.1 Indirect Translations5.1.2 Russian and French Short Stories5.1.3 The Impact of Hu's Choices on Chinese Literary Creativity and Translation Output5.2 Generic Choices5.2.1 Introducing General Trends in World Literature5.2.2 Lessons Drawn From Liang Qichao's Failure in Advocating“Political Fiction”5.2.3 Introducing Innovative Writing Techniques5.3 Thematic Choices5.3.1 Patriotism in the Face of Foreign Invasions5.3.2 Individualism and Women's Position in the Family5.3.3 Opium and the Apathetic State of the Population5.3.4 Mirroring the Life of the Oppressed and the Victimised5.4 Hu's Translation'S trategies5.4.1 Domesticating Imported Elements5.4.2 Contextualising and Historicising Foreign Elements for Chinese Readers5.4.3 Interventions in and around the Text5.5 ConclusionChapter6:ConclusionBibliographyAppendix1Appendix2

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