東方博物（第31輯）

內(nèi)容概要

　　學術(shù)界一般認為，古代越人的青銅制造業(yè)是在中原商周文化影響下產(chǎn)生的，就越國而言，它的青銅工藝不等于只有“引進”，沒有創(chuàng)新，從遺址的出土情況看具有鮮明的地方特色。這一時期的青銅制作以范線準確，器壁勻薄，配件嚴密而著稱。青銅越式鼎采用了分鑄法，把鼎足先期制作完成，再鑄接鼎身，范線全部集中在底部，使用了泥質(zhì)塊范法。薄胎銅器的成型是一個謎，局部錘打成型法利用了紅銅質(zhì)地較軟且延展性強這一特性。三足青銅盤的環(huán)、足使用鉚釘焊接，錐畫裝飾更是一種創(chuàng)舉，內(nèi)外壁錐刻出細如發(fā)絲的紋飾，生動形象地再現(xiàn)了祭祀、宴饗、狩獵等場面。

書籍目錄

青銅管窺紹興西施山遺址出土文物研究皖南出十青銅矛研究富陽文物館藏的幾件先秦青銅器宗教萬象阿育王塔實物的發(fā)現(xiàn)與初步整理瓶窯南山摩崖三龕造像民俗掠影通透空靈雅韻天成——蒼南礬塑工藝縉云木刻活字印刷術(shù)溫嶺桂岙天后宮的彩畫與灰塑考古研究臨安小山弄西晉紀年墓發(fā)掘簡報臨海戎旗古墓葬發(fā)掘簡報鄭州黃崗寺明墓發(fā)掘簡報陶瓷縱橫德清出土的宋元時期瓷器硬陶文化的比較研究建筑覽古湖州民居卜的木雕藝術(shù)永嘉古建筑上的柱礎科技筆談安吉出土飽水木俑的穩(wěn)定東陽龍的發(fā)現(xiàn)與修理封二杭州雷峰塔遺址天宮出土銀阿育王塔和金瓶封三紹興丙施山出土春秋戰(zhàn)國青銅盤封面東陽小興寺塔(南寺塔)出土銅阿育千塔

章節(jié)摘錄

　　Abstract：The King Asoka tower model is a Buddhism cultural heritage characteristic of Zhejianglocal worship It proves the fact that Qian Chu，the king of Wuyue State at the end of Five Dynastiesand Ten Kingdoms Period，faithfully worshiped Buddhism throughout his life The inscriptions onthe tower models document that it was in AD 955（Yilllao）and AD 965（Yithou）that Qian Chuconducted two massive manufactures of tower models particularly tbr storing Buddhism ashes（sarira）and Buddhism sutras.The real objects of King Asoka tower model are mainly recovered from theBuddhism towers in the territory of ancient Wuyue State The iron King Asoka tower models recoveredfrom the underground chambers of Buddhism towers in Dingzhou，Hebei and Dengzhou，Henan mightbe relevant to Qian Chu’s two visits to the capital city Furthermore，most of the unofficially replicatedKing Asoka tower models，in terms of the date inscriptions on them，belong to Five Dynasties Periodand Song Dynasty All of the tower models produced in Five Dynasties and a large proportion of thoseproduced in Song Dynasty were unearthed within the territory of Wuyue State.

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