英語電影與西方文化批評流派

內(nèi)容概要

當(dāng)前，西方文化借助于英語影視媒介在我國大為流行，而文論中的文化批評流派也大行其道。作者長期從事西方文論的教學(xué)與研究，針對國內(nèi)讀者的需求，且結(jié)合在美國紐約州立大學(xué)的教學(xué)與研究的實(shí)際，撰寫了本書。在內(nèi)容上本書對英語電影的批評方法的介紹與應(yīng)用方面加大了比重，達(dá)到13種，均為國外最新的學(xué)術(shù)成果概述和評論。同時(shí)本書還注重了從理論到實(shí)踐的過渡，每一種批評方法均增加了批評范例。
蔡圣勤編著的《英語電影與西方文化批評流派》共有八個(gè)部分分別論述了英語電影對西方大眾文化的影響作用，大眾文化與電影發(fā)展簡史，影響西方大眾文化的主要電影節(jié)與著名的影視機(jī)構(gòu)，電影作品的評價(jià)標(biāo)準(zhǔn)與文化價(jià)值，英語電影的分級及其專業(yè)詞匯，英語電影的主要題材及其藝術(shù)特征，文藝思潮及其對電影的影響（從古典主義到后現(xiàn)代）和文藝作品的十三種批評流派，本書是英語語言文學(xué)類本科、研究生的必讀書目，也可成為影視文學(xué)愛好者的參考讀物。

書籍目錄

Preface
  1.Why We Study Film in English Language Arts?
  2.Why We Need to See Films and Read This Book?
  3.Languages and Cultures Reflected from Film
  4.The Important Impact of FiLms on Daily Life
  5.Differences Between a Book and a Film
  6.Words for Itructo
Chapter One  Popular Culture and Film History
  1.Film and Popular Culture
  2.History of Motion Picture
  3.Producing a Motion Picture
  4.Film Distribution
Chapter Two  International Festivals and Film Studios
  1.International Film Festivals
  2.International Film Companies
  3.Western Festival Markets and Western Discoue Effect
Chapter Three  Film Criteria and Cultural Values
  1.No Scientific Measurer
  2.Individualism and Different Cultural Psychology
  3.Moral Values and Cultural Psychology in China
  4.FiLm Characte Forming under the Chinese Context
  5.Edward Said and Orientalism
Chapter Four  Classification and Vocabulary of Films
  1.Classification in Britain
  2.Classification in USA
  3.Classification in Australia
  4.Question: Emphasis on Sex Veus Violence
  5.Vocabulary of Film
Chapter Five  Film Genres and Artistic Feature
  I.Genre and Methodology to Classify
  2.Analysis Examples of Selected Mare Genres
Chapter Six  The Literary Movements and Impact to Films:
  From Classicism to Modernism
  1.Romanticism Movement
  2.Realism Movement
  3.Modernism to Post-modernism
Chapter Seven  Literary Critical Approaches to Film
  1.Cultural Criticism ( Cultural Studies)
  2.Post-colonial Criticism
  3.Strncturalism and Semiotics Criticism
  4.Historical and New-historicism Criticism
  5.Formalism Criticism and New Criticism
  6.Sociological Criticism and Marxist Criticism
  7.Gender Studies (Feminist Criticism)
  8.Psychological Criticism
  9.Mythological Criticism (Archetypal Criticism)
  10.Reader-respoe Criticism
  11.Decotrnctionist Criticism (Poststrncturalist, Post-modernism)
  12.Biographical Criticism
  13.Ecocriticism(Ecological Criticism)
Reference

章節(jié)摘錄

版權(quán)頁：   Within the past 10 years, we rejoicingly found that there were more and moreChinese language films or films by China's directors nominated in the Oscars' listsand other international film festival lists. Chinese and other international filmreviewers call this presentation as "Match into Hollywood" and "Reviving of theorient culture". But after a survey of the Western critical reviews andunderstanding Edward Said's orientalism theory of post-colonial discourse for theEnglish language and literature, we will not consider that as a kind of culturevictory any longer. As the trend of globalization is more notable, all kinds of cultures collide andfuse each other; cross-cultural communication becomes a matter of certainty.Western culture takes the leading position for its developed economy (Huntington,1993). Western centered-culture takes its hegemony and selects what it wants forits society and its political reason or requirement, especially for the Western valueand cultural out-spreading.

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