重塑中國農(nóng)民形象

內(nèi)容概要

　　《重塑中國農(nóng)民形象：趙本山小品研究（1995-2000年）》運(yùn)用后殖民研究、話語權(quán)力、大眾文化、話語權(quán)、弱勢群體研究等文化研究理論，以及語用學(xué)中的話語幽默、認(rèn)知語境、關(guān)聯(lián)等理論，對趙本山等人通過小品塑造中國農(nóng)民形象這一文化現(xiàn)象進(jìn)行了研究?！　鹘y(tǒng)中國文化作品中的農(nóng)民形象多是負(fù)面的。而趙本山1995-2000年間在央視春節(jié)聯(lián)歡晚會上演的系列小品，從正面的角度全面重塑了中國農(nóng)民形象，具有重要的文化意義。

作者簡介

陳開舉，男，土家族，博士，副教授，碩士生導(dǎo)師，1969年生于湖北省巴東縣?，F(xiàn)任教于廣東外語外貿(mào)大學(xué)。1991年畢業(yè)于華中師范大學(xué)英語系，獲英語語言文學(xué)學(xué)士學(xué)位；1994畢業(yè)于廣州外國語學(xué)院，獲語言學(xué)與應(yīng)用語言學(xué)專業(yè)碩士學(xué)位；2006年畢業(yè)于廣東外語外貿(mào)大學(xué)，獲語言與文化專業(yè)博士學(xué)位。主要研究方向：文化研究、語用學(xué)、英語教學(xué)。近年來已在《現(xiàn)代外語》等多種學(xué)術(shù)刊物上發(fā)表論文二十余篇，編寫教材兩部。

書籍目錄

Introduction: Interrogating Images of Chinese PeasantryⅠ  Chinese Peasantry Presented in Traditional Chinese Culture1  Images of Peasantry in The Four Books2  Images of Peasantry in Chinese Idioms/Fables3  Images of Peasantry in Other Literary Works4  Literature on Peasants' Insurgence5  Images of Peasantry in Popular CultureⅡ  Power in Popular Culture and Branding Characteristics1  Current State of Cultural Studies2  Mechanisms of Popular Culture(1)  Language(2)  Contradictions and Complexity(3)  Conformity versus Subversion(4)  Humor, Guerrilla Strategy, and Appropriation(5)  Setting, Context, Theme3  A Brief Account of Zhao Benshan's Comic SketchesⅢ  MethodologyⅣ  StructureⅤ SelectionChapter One: Articulating for the Chinese PeasantsⅠ  Power and Representation: Images and StereotypesⅡ  Zhao's CSs as Power Front for the PeasantsⅢ  Significant Themes of Zhao' s CSs1  Aspects of Amelioration and Brightness of Peasant Life2  Unfavorable Images of PeasantsⅣ  General Strategies in Zhao's CSChapter Two: The Linguistic ComplexityⅠ  Dialect and Colloquialism: Micro Narration forMacro CultureⅡ  Humor: Shortcut in ConfrontationsⅢ  Tones, Intonation, and Purposeful Misuse of LanguageⅣ  Governing Principle: RelevanceⅤ  Linguistic Power: Driving Toward the GoalChapter Three: Cultural AmbivalenceⅠ  Contexts: Ideological and Cultural ImplicationsⅡ  Conformity: Endorsing Ontological IdeologiesⅢ  Subversion: Empowering the PowerlessⅣ  Romanticizing the MarginsChapter Four: Can the Chinese Peasants Speak?Ⅰ  Preconditions for Effective Articulation:Language and KnowledgeⅡ  Can the Chinese Peasants Speak?Ⅲ  Can Zhao Speak for the Chinese Peasants?laslonBibliographyReferences in EnglishReferences in ChineseMajor Films and WebsitesAppendix A: Three of the Quoted Fables and IdiomsⅠ  The Foolish Old Man and the Wise ManⅡ  The Farmer Who Abandoned His CattleⅢ  The Rich Man Who Wanted One More SheepAppendix B: A Brief CV of Zhao Benshan and HisMajor WorksAppendix C: Scripts for Four of Zhao's Comic SketchesⅠ 紅高粱模特隊(duì) (1997)(Red Sorghum Models)Ⅱ 拜年 (1998)(Spring Festival Call)Ⅲ 昨天、今天、明天 (1999)(Yesterday, Today, and Tomorrow)Ⅳ 鐘點(diǎn)工 (2000)(Odd Job)

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《重塑中國農(nóng)民形象:趙本山小品研究(1995-2000年)》由中山大學(xué)出版社出版。

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