中國(guó)文學(xué)選讀

前言

　　As one of the cradles of human civilization, China has produced a vast library of great literature over the past five thousand years. Like that of many other nations,Chinese literature is the essence of Chinese thought, the treasure of Chinese culture;it is the record of our forefathers struggles against heaven and earth, providing vivid depictions of the material and spiritual lives of Chinese in both ancient and modern times.　　In the long history of Chinese literature, a series of masterful figures emergedingenres such as poetry, fiction, and drama. Unlike the ruling emperors, these writ-ers, sitting on the "throne" of Chinese characters, write about China in pride and elegance with their brushes. Because of their writings, Chinese history becomes more vivid and interesting. And these writers have become immortal with their writings.　　Over the course of history, many works of literature have been lost to politicalupheavals or to the ravages of time. Even so, a great amount of masterpieces of Chinese literature, whether poems, stories, essays, novels, or dramas, have been hand-ed down to the present. The Book of Songs, Li Sao, poetry of the Tang and Song dynasties, drama from the Yuan, and novels from the Ming and Qing dynasties allexhibit their own unique styles. These works cover a wide range of subjects, reflecton and respond to such eternal themes as love and death, nature and humankind, so-ciety and individual life, etc.

內(nèi)容概要

　　As one of the cradles of human civilization, China has produced a vast library of great literature over the past five thousand years. Like that of many other nations,Chinese literature is the essence of Chinese thought, the treasure of Chinese culture;it is the record of our forefathers struggles against heaven and earth, providing vivid depictions of the material and spiritual lives of Chinese in both ancient and modern times.

作者簡(jiǎn)介

　　唐建清，teaches at the Department　of　Chinese Language and Literature at Nan jing University and served as the Assistant Director of the Confucius Institute at the University of Waterloo in Canada from 2007 to 2009.　　李彥，a bilingual lauthor, teaches at Renison University College and serves as the Director of the Confucius Institute at the University of Waterloo, Canada.

書(shū)籍目錄

Chapter One Sial Jing and Li Sao1. General Description2. Introduction to Shi Jing3. Selections from Shi Jing4. Introduction to Qu Yuan5. Selected Works from Qu Yuan6. Further Readings7. Topics for DiscussionChapter Two Historical Narratives1. General Description2. Introduction to Shi Ji3. Selections from Shi Ji4. Further Readings5. Topics for DiscussionChapter Three Literature in the Wei and Jin Period1. General Description2. Introduction to the Works of Tao Yuan ming3. Selected Works from Tao Yuan ming4. Further Readings5. Topics for DiscussionChapter Four Poetry in the Tang Dynasty1. General Description2. Introduction to the Poems of Li Bai3. Selected Poems of Li Bai4. Introduction to the Poems of Du Fu5. Selected Poems of Du Fu6. Further Readings7. Topics for DiscussionChapter Five Ci in the Song Dynasty1. General Description2. Introduction to the Ci of Su Shi3. Selected Works of Su Shi4. Introduction to the Ci of Li Qingzhao5. Selected Works of Li Qingzhao6. Further Readings7. Topics for DiscussionChapter Six Essays in the Tang and Song Dynasties1. General Description2. Introduction to the Works of Liu Zongyuan3. Selected Works of Liu Zongyuan4. Introduction to the Works of Ouyang Xiu5. Selected Works of Ouyang Xiu6. Further Readings7. Topics for DiscussionChapter Seven Drama in the Yuan Dynasty1. General Description2. Introduction to Dou E Yuan3. Selection from Dou E Yuan4. Introduction to The Western Chamber5. Selection from The Western Chamber6. Further Readings7. Topics for DiscussionChapter Eight Novels of the Ming and Qing Dynasties1. General Description2. Introduction to Dream of the Red Chamber3. Selection from Dream of the Red Chamber4. Further Readings5. Topics for DiscussionChapter Nine Modern Chinese Literature1. General Description2. Introduction to the Stories of Lu Xun3. Selected Works of Lu Xun4. Introduction to the Poems of Xu Zhimo5. Selected Poems of Xu Zhimo6. Further Readings7. Topics for DiscussionChapter Ten Contemporary Chinese Literature1. General Description2. Introduction to the Works of Zhang Jie3. Selection from Zhang Jies Works4. Introduction to the Works of Zhang Chengzhi5. Selection from Zhang Chengzhis Works6. Further Readings7. Topics for DiscussionAppendixⅠ GlossaryⅡ Chronological Table and Major Literary EventsⅢ Acknowledgments

章節(jié)摘錄

　　唐僧在馬上見(jiàn)了，心中歡喜道：“阿彌陀佛！西方真是福地！那公公路也走不上來(lái)，逼法的還念經(jīng)哩?！卑私涞溃骸皫煾?，你且莫要夸獎(jiǎng)，那個(gè)是禍的根哩。”唐僧道：“怎么是禍根？”八戒道：“行者打殺他的女兒，又打殺他的婆子，這個(gè)正是他的老兒尋將來(lái)了。我們?nèi)糇苍谒膽牙锖?，師父，你便償命，該個(gè)死罪；把老豬為從，問(wèn)個(gè)充軍；沙僧喝令，問(wèn)個(gè)擺站；那行者使個(gè)遁法走了，卻不苦了我們?nèi)齻€(gè)頂缸？”行者聽(tīng)見(jiàn)道：“這個(gè)呆根，這等胡說(shuō)，可不唬了師父？等老孫再去看看?！彼压鞑卦谏磉?，走上前迎著怪物，叫聲：“老官兒，往那里去？怎么又走路，又念經(jīng)？”那妖精錯(cuò)認(rèn)了定盤(pán)星，把孫大圣也當(dāng)做個(gè)等閑的，遂答道：“長(zhǎng)老啊，我老漢祖居此地，一生好善齋僧，看經(jīng)念佛。命里無(wú)兒，止生得一個(gè)小女，招了個(gè)女婿，今早送飯下田，想是遭逢虎口。老妻先來(lái)找尋，也不見(jiàn)回去，全然不知下落，老漢特來(lái)尋看。果然是傷殘他命，也沒(méi)奈何，將他骸骨收拾回去，安葬塋中?！毙姓咝Φ溃骸拔沂莻€(gè)做虎的祖宗，你怎么袖子里籠了個(gè)鬼兒來(lái)哄我？你瞞了諸人，瞞不過(guò)我！我認(rèn)得你是個(gè)妖精！”那妖精唬得頓口無(wú)言。行者掣出棒來(lái)，自忖思道：“若要不打他，顯得他倒弄個(gè)風(fēng)兒；若要打他，又怕師父念那話兒咒語(yǔ)?！庇炙剂康溃骸安淮驓⑺?，他一時(shí)間抄空兒把師父撈了去，卻不又費(fèi)心勞力去救他？還打的是！就一棍子打殺他，師父念起那咒，常言道，‘虎毒不吃兒?！瘧{著我巧言花語(yǔ)，嘴伶舌便，哄他一哄，好道也罷了。”好大圣，念動(dòng)咒語(yǔ)叫當(dāng)坊土地、本處山神道：“這妖精三番來(lái)戲弄我?guī)煾?，這一番卻要打殺他。你與我在半空中作證，不許走了?！北娚衤?tīng)令，誰(shuí)敢不從？都在云端里照應(yīng)。那大圣棍起處，打倒妖魔，才斷絕了靈光?！　∧翘粕隈R上，又唬得戰(zhàn)戰(zhàn)兢兢，口不能言。八戒在旁邊又笑道：“好行者！風(fēng)發(fā)了！只行了半日路，倒打死三個(gè)人！”唐僧正要念咒，行者急到馬前，叫道：“師父，莫念，莫念！你且來(lái)看看他的模樣?！眳s是一堆粉骷髏在那里。唐僧大驚道：“悟空，這個(gè)人才死了，怎么就化作一堆骷髏？”行者道：“他是個(gè)潛靈作怪的僵尸，在此迷人敗本，被我打殺，他就現(xiàn)了本相。他那脊梁上有一行字，叫做‘白骨夫人’?！碧粕?wù)f，倒也信了。怎禁那八戒旁邊唆嘴道：“師父，他的手重棍兇，把人打死，只怕你念那話兒，故意變化這個(gè)模樣，掩你的眼目哩！”唐僧果然耳軟，又信了他，隨復(fù)念起。

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