柏拉圖以來的批評(píng)理論（上下冊(cè)）

前言

　　Since the publication of the first edition in 1971， the field of critical theory has expanded dramatically， particularly after the 1960s. This edition， accordingly， has been reshaped throughout， not only to reflect recent work but also to provide a more substantial historical background for it. This third edition of Critical Theory Since Plato follows the basic plan of previous editions in offering a general introduction (plus a supplementary introduction to modern criticism—see page 621)， with selections prefaced by head notes and brief bibliographic information， all presented in chronological order. We have avoided the use of thematic or other rubrics that group texts by approach or subject， since each individual selection reflects substantive individual work， by older as well as more recent writers， that may connect with other authors and historical periods in multiple ways. The aim is to present in a single volume， of moderate size， materials for a course of resentative readings in the history of critical theory in Western culture， without privileging any particular scheme of associations.　　The special problems of representing contemporary criticism since 1965 are already familiar to scholars， teachers， and students. The issue is not merely the sheer growth of the field itself， in the number of universities that now offer (and in many cases， require) courses in criticism and theory， together with a dramatic increase in professional publications on theoretical subjects in literary and cultural study. Even more important， we believe， are changes in the conception of the field that can be evaluated only by patient historical and philosophical reflection. Some of these problems we addressed in Critical Theory Since 1965 (Tallahassee： Florida State University Press， 1986)， but in this volume our approach has been more comprehensive.　　As critical theory has become more diverse， it has also become increasingly divergent in the sense that the special problems of particular areas of study demand separate and extensive treatment that cannot reasonably be satisfied by a general and historical anthology such as this one. Fortunately， very good resources for more extended work on such areas are now readily available. What is required， we believe， is a selection of essential and substantive materials to facilitate a rethinking of the historical shape and trajectory of the expanded field as a whole. Thus， readers will find in this edition amplified resources to examine the rhetorical and pedagogical function of the literary in the ancient world， with sometimes surprising pertinence to contemporary studies of discursive practices， just as they will find throughout a greater diversity of philosophical selections， ancient and modem， and a broad representation of work addressing contemporary themes pertaining to the role of theory and the place of literature in collective cultural life.

內(nèi)容概要

《柏拉圖以來的批評(píng)理論》(第三版)是一本按時(shí)間順序編排的文 選，書中介紹了大量西方文化中文學(xué)批評(píng)和理論的歷史及發(fā)展的相關(guān)研究。由文學(xué)研究領(lǐng)域的兩位知名學(xué)者主編，本書側(cè)重從柏拉圖和亞里士多德至今的個(gè)人對(duì)于文學(xué)批評(píng)發(fā)展的貢獻(xiàn)。選集通過對(duì)當(dāng)代研究重點(diǎn)和趨勢(shì)的廣泛陳述，擴(kuò)展到對(duì)哲學(xué)起源和影響的更完整表現(xiàn)。由于反映了社會(huì)、道德和政治等因素對(duì)文學(xué)批評(píng)和理論發(fā)展產(chǎn)生的影響，本書適合于各個(gè)層次的文學(xué)批評(píng)和理論課程。    精彩要點(diǎn)：    本書按時(shí)間順序編排，兩千多年的時(shí)間跨度，綜合各種選集，對(duì)于文學(xué)研究作為一門學(xué)科的發(fā)展，提出一個(gè)公認(rèn)的觀點(diǎn)，并附有解釋性的批注和關(guān)于作者的文獻(xiàn)記錄。    本書已作顯著修訂，以涵蓋其他從事語言、修辭、哲學(xué)和社會(huì)專題研究的思想家。    隨著對(duì)不同哲學(xué)傳統(tǒng)的關(guān)注增加，新版本強(qiáng)化和拓寬了文化研究作為一門交叉性學(xué)科的理念。    完整的卷冊(cè)設(shè)計(jì)方便了追溯現(xiàn)代文學(xué)批評(píng)理論發(fā)展的歷史起源。    編者建立了早期思想家和現(xiàn)代理論發(fā)展之間的清晰聯(lián)系。

書籍目錄

柏拉圖以來的批評(píng)理論（第三版）（上冊(cè)）  PLATO  GENERAL INTRODUCTION  PLATO     Ion    from Republic    from Phaedrus    from Sophist    from Philebus    from Cratylus  ARISTOTLE    from Physics    from Metaphysics    Poetics    from Rhetoric  MARGUS TULLIUS CICERO    from Brutus  QUINTUS HORATIUS FLACCUS(HORACE)    Art of Poetry  STRABO    from Gegoraphy  PUBLIUS CORNELIUS TACITUS    from Dialogue on Oratory  PSEUDO LONGINUS  PLUTARCH  FLAVIUS PHILOSTRATUS  PLOTINUS  SAINT AUGUSTINE  ANICUS MANLIUS SEVERINUS BOETHIUS  SAINT THOMAS AQUINAS  DANTIE ALIGHIERI  GIOVANNI BOCCACCIO  JULIUS CAESAR SCALIGER  LODOVICO CASTELVETRO  SIR PHILIP SIDNEY  GIORDANO BRUNO  GIACOPO MAZZONI  TORQUATO TASSO  SIR FRANCIS BACON  PIERRE CORNEILLE  JOHN DRYDEN  JOHN JOCKE  ALEXANDER POPE  JOSEPH ADDISON  GIAMBATTISTA VICO  ……柏拉圖以來的批評(píng)理論（第三版）（下冊(cè)）

章節(jié)摘錄

　　GENERAL INTRODUCTION　　This third edition is a thorough revision of the second. Our choice of selections reflects an effort to represent the main themes in the history of literary criticism and theory in Western culture from Plato to the present and to recognize that this history forms an important part of the comparative history of ideas and cannot be more than partially separated from certain other disciplines. Thus some texts not directly concerned with literature have been included; in a few cases these texts imply hostility to literature. They are important because they helped to generate an apologetic and defensive reaction among critics and poets. An example in the twentieth century is the work of the logical positivists, of Rudolph Carnap and Bertrand Russell, and their relation, for example, to the critical writings of I. A. Richards and, in turn, his curious relation to the American New Critics. But more important is Plato himself; the ambivalence he exhibited toward poetry gave rise to numerous defenses over centuries, some actually citing Plato, even as attackers cited him in their own support. Indeed, much of the long history of the defense of poetry has been expressed in, and captured by, the terms set forth by its attackers, the first and foremost being Plato, whose search for justice in Republic led his Socrates to advocate the banishment of poets. The defense of poetry has long sought to overcome the Socratic attack, but too often within the language put in his mouth by Plato. The history of literary criticism and theory has always been intertwined with that of philosophy, sometimes vexing it, sometimes being vexed by it. Although our principal effort has been to reflect the main intellectual paths, we have sought to make an eclectic selection without succumbing to fashions that seem to us not a particularly important part of the history of literary thought. Further, we have tried to make sense of the developments that have given late-twentieth-century criticism the appearance of disorder.　　It must be added for claritys sake that this books title is meant to refer to literary criticism and theory and what has influenced or paralleled it. We do not use the term "critical theory" specifically to designate the social thought of the Frankfurt School of critical theory founded in the 1930s, with which were associated such names as Max Horkheimer and Theodor W. Adorno, though these thinkers contribute to our history. It must be added, too, that we recognize that some late-twentieth-century theorists called in question the notion of literature itself, seeking to break down distinctions between modes of linguistic utterance tacitly accepted for centuries and explicitly argued for earlier in the century. In our view there is a literary art that criticism and theory traditionally addressed. Our concern is to study how that art has been and continues to be thought about, even when the immediate effect has been to call it into question.

圖書封面

圖書標(biāo)簽Tags

無

評(píng)論、評(píng)分、閱讀與下載

---

    柏拉圖以來的批評(píng)理論（上下冊(cè)） PDF格式下載

---