藝術(shù)英語閱讀教程

前言

　　隨著我國大學(xué)英語教學(xué)改革的不斷深入，藝術(shù)院校的英語教學(xué)也面臨新的挑戰(zhàn)。如何結(jié)合藝術(shù)院校的專業(yè)特點進(jìn)行英語語言教學(xué)，培養(yǎng)綜合素質(zhì)高的專業(yè)人才，是擺在我們面前的亟需解決的問題，而編寫與藝術(shù)專業(yè)知識相結(jié)合的新型教材不失為一種新的嘗試。　　《藝術(shù)英語閱讀教程》是由在藝術(shù)院校多年從事英語教學(xué)的教師們編寫而成。本教程編者在編寫過程中，以教育部高教司頒發(fā)的《大學(xué)英語教學(xué)基本要求》為指導(dǎo)，在廣泛調(diào)研的基礎(chǔ)上，遵循發(fā)展性和拓展性原則，注重選材的科學(xué)性、趣味性和開放性，選材內(nèi)容廣泛。本書的特點是以英語語言為引導(dǎo)，結(jié)合藝術(shù)知識和文化，讓學(xué)生通過閱讀學(xué)習(xí)獲取大量的與專業(yè)相關(guān)的信息和知識，從而激發(fā)學(xué)生的學(xué)習(xí)興趣，同時提高學(xué)生的英語綜合應(yīng)用能力，為他們在今后的學(xué)習(xí)和工作中能有效地以英語為工具進(jìn)行本專業(yè)的研究和學(xué)術(shù)交流打下良好的基礎(chǔ)。本書的適用對象是藝術(shù)院校和綜合性大學(xué)藝術(shù)專業(yè)的學(xué)生以及對英語感興趣的廣大的藝術(shù)愛好者?！　”窘坛坦卜侄畟€單元，每個單元由兩篇難易程度接近、題材相關(guān)的文章組成，其中每篇文章的編排設(shè)計如下：　　1.中文相關(guān)背景簡介和關(guān)鍵詞。　　2.英文正文。選材內(nèi)容廣泛，涉及藝術(shù)領(lǐng)域的多個方面，包括繪畫、書法、攝影、影視、裝飾、裝潢、建筑景觀、服裝設(shè)計、妝扮藝術(shù)及手工藝制作等相關(guān)學(xué)科和專業(yè)的內(nèi)容，并配有與主題相關(guān)的插圖，精美新穎。文后注明正文字?jǐn)?shù)及閱讀速度自測公式?！　?.文后注解。詳細(xì)注解所選文章和圖片的來源及相關(guān)信息。

內(nèi)容概要

　　《藝術(shù)英語閱讀教程》共分二十個單元，每個單元由兩篇難易程度接近、題材相關(guān)的文章組成，其中每篇文章的編排設(shè)計如下：中文相關(guān)背景簡介和關(guān)鍵詞。英文正文。選材內(nèi)容廣泛，涉及藝術(shù)領(lǐng)域的多個方面，包括繪畫、書法、攝影、影視、裝飾、裝潢、建筑景觀、服裝設(shè)計、妝扮藝術(shù)及手工藝制作等相關(guān)學(xué)科和專業(yè)的內(nèi)容，并配有與主題相關(guān)的插圖，精美新穎。文后注明正文字?jǐn)?shù)及閱讀速度自測公式?！　∥暮笞⒔?。詳細(xì)注解所選文章和圖片的來源及相關(guān)信息。

書籍目錄

Unit 1Passage A Chinese PaintingPassage B Xu Beihong，Pioneer of Contemporary Realistic PaintingUnit 2Passage A Leave Something for the ImaginationPassage B Rhythmic Vitality：the Highest Ideal of Chinese ArtUnit 3Passage A PapercutsPassage B Nineteenth-Century American Folk ArtUnit 4Passage A Manifestation of Prehistoric Residents Artistic Talent Painted PotteryPassage B Chinese Brush PaintingUnit 5Passage A Silk HandicraftPassage B Ethical AestheticsUnit 6Passage A The PyramidsPassage B ColosseumUnit 7Passage A Stained GlassPassage B The Flower ClockUnit 8Passage A Art TheftPassage B Leonardo da VinciUnit 9Passage A Design HistoryPassage B Claude Monets Impression SunriseUnit 10Passage A FashionPassage B Modern ArtUnit 11Passage A Kira PlastininaPassage B Classical ChanelUnit 12Passage A Wearing History——Chinese Dress Since 1949Passage B 3D Takes OffUnit 13Passage A Orientalism：Visions of the East in Western DressPassage B Primary Considerations about Our HouseUnit 14Passage A Interior Design IdeasPassage B Psychological Need：A Factor Causing the Green Revolu- tionlOlUnit 15Passage A Design Icon：Coca-ColaPassage B AdvertisementsUnit 16Passage A Design DefinedPassage B Design Definedcontinued1Unit 17Passage A The Human Body——Source of DesignPassage B The Human Body——Source of DesigncontinuedUnit 18Passage A Street PhotographyPassage B Philosophical Thinking in the Classic Presentation of Pho-tographyUnit 19Passage A Photography and ArtPassage B　Did You Ever Wonder Who Designed the Current American Flag？Unit 20Passage A Transformers ReviewPassage B The Future of the Cartoon Feature FilmAppendix Ⅰ Glossary [1]Appendix Ⅱ Glossary [2]Appendix Ⅲ Answers

章節(jié)摘錄

　　Bamboos cover a wine-shop by the bridge.　　Many competitors tried to concentrate on the wine-shop as the center of the picture.There was one man，however，who painted on一‘Y a bridgea bamboo grove by its side，and hidden in that grove，on-ly a shop-sign bearing the character“wine”but no wine-shop at ail.And this picture won because the wine-shop was hidden in the imagination.　　Another subject given was a line from Wei Ingwu’s poem：　　At the deserted ferry，a boat drifts across by its 1f.　　The poet had already used the method of suggestion in conveying the atmosphere of silence and desolation by showing that the boat.1eft alone’drifted across by the force of the current，but the painter camed the method of suggestion further.The winning picture was one which conveyed this feeling of silence and desolation by drang a brd resting on the boat，and another one about tO perch 0n it.The presence of the birds near the boat suggests that the boat Wfls desert-ed and no human beings were about.

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