發(fā)現(xiàn)教堂的藝術(shù)

出版時間:2010-11  出版社:生活·讀書·新知三聯(lián)書店  作者:理查德·泰勒  頁數(shù):263  譯者:李毓昭  
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內(nèi)容概要

  不論規(guī)模大小,教堂都充滿著象征意義。“閱讀”教堂,就是指有能力詮釋教堂內(nèi)部的圖像、符號和象征。然而,如今具備這種能力的人已屬鳳毛菱角,即使經(jīng)常去教堂的人也未必具備。世界上有多少座教堂,就有多少細節(jié)、局部可以被解讀。彩繪玻璃畫上的人物是誰?動植物又代表著什么?教堂的空間是怎樣規(guī)劃布局的?所有的細節(jié)都有特別的含義嗎?本書將告訴您:教堂外形和內(nèi)部裝飾所表達的意義,教堂圖畫和雕刻相關(guān)的故事,分辨人物、場景的方法,顏色、字母、符號甚至花鳥魚蟲的象征……書中的故事和解釋可以幫助您更好地欣賞教堂并了解與之相關(guān)的宗教藝術(shù)。帶上這本書,再用心去瀏覽教堂風景,您就會發(fā)現(xiàn),原來教堂真的不只是教堂

作者簡介

  泰勒(RichardTaylor)1967年生。牛津大學英文系、倫敦大學法律系畢業(yè)。目前定居於英格蘭南約克夏(southYorkshire),並持續(xù)性擔任基督教文化特有符號、符碼的講師。

書籍目錄

作者序閱讀教堂:前言教堂建筑與陳設(shè)十字架與耶穌受難像上帝耶穌圣母馬利亞圣徒舊約圣師、天使與抽象圖形動物、鳥類和魚植物字母與文句如何閱讀僧侶附錄:使徒信經(jīng)

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用戶評論 (總計7條)

 
 

  •     BBC的紀錄片Churches:How to Read Them (6 episodes)
      presenter就是本書的作者Richard Taylor
      和這本書一起看,受益匪淺。
      
      Churches - How to Read Them
      
      Arts Documentary hosted by Richard Taylor, published by BBC in 2010 - English narration
      
      
      Information
      Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries.
      
      Dark Beginnings
      Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer.
      
      
      Medieval Life
      Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave.
      
      
      Medieval Death
      Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels.
      
      
      Reformation - Chaos and Creation
      With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches.
      
      
      Restoration and Reason
      Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age.
      
      
      The Victorians and after
      Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.
      
      
      
  •     還是英文書名 how to read a church 貼切,中文書名讓人以為書里都是教堂的圖片,其實是講教堂圖案的意義,然后介紹了很多圣經(jīng)和基督教人物的來歷和故事,教堂的結(jié)構(gòu)布局啥的。
      
      其實本來更期望書中更側(cè)重教堂建筑的方面,比如各地教堂的建筑風格,某些比較神奇的,有特色教堂介紹,更多的教堂藝術(shù),比如壁畫,玻璃鑲嵌,馬賽克等的圖等等。結(jié)果這方面還是不夠多。還好還有些教堂圖案符號的說明和布局結(jié)構(gòu)啥的,不然這書就沒看頭了。有人物的介紹的書已經(jīng)太多了。
      
  •   看上去蠻有意思的,標記一下
  •   謝謝
    做到了視頻:http://www.tudou.com/programs/view/Y0WD5WvAx1k/
  •   啊,我也以為是講教堂建筑來著
  •   推薦看《劍橋藝術(shù)史》,對教堂建筑雕塑繪畫分析得很到位,而人物介紹所占比重極少,是很專業(yè)的藝術(shù)史書籍
  •   這本書側(cè)重英國的教堂 並且它並不完全從建築學角度入手
 

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