全國英語等級考試高分策略

內容概要

為了幫助考生更好地了解和準備這項考試，我們認真仔細地研究了PETs各級考試大綱(全新版)及相關資料的要求，組織一些經驗豐富的高校英語教師編寫了《全國英語等級考試高分策略》(1～5級)。各級均分三章。第一章為試題設計、考點分析和考生答題時應該注意的事項，由對各級考試有較深研究的權威人士編寫，詳細分析了試卷設計的基本思路及各部分試題的考查要點，并根據(jù)考生的實際情況隨時指出其在答題時應該注意的事項。第二章為各部分試題精練，試題按照各級試卷的結構排列，供讀者檢查自己的聽、說、讀、寫能力和對有關語言知識的掌握情況，以便及時發(fā)現(xiàn)并解決問題．本章之后附有聽力部分的錄音稿和各部分試題的答案，供讀者參照。第三章為一套模擬試卷，其難度、能力要求、考查要點等均接近實際考試，供讀者檢查自己的整體英語水平，預估自己正式考試的成績。配套光盤的內客包括第二章和第三章中的聽力材料，由對各級別情況比較了解的英美專家錄制，有助于讀者練習聽力。

書籍目錄

第一章　試題設計及考點分析
　第一部分　試題設計綜述
　第二部分　考試要點分析及考生復習、答題注意事項
第二章　試題精練
　第一部分　聽力理解
　第二部分　英語知識運用
　第三部分　閱讀理解
　第四部分　寫作
　第五部分　口試
　第六部分　聽力理解錄音稿
　第七部分　參考答案
第三章　全國英語等級考試　第四級模擬試卷
　第一部分　筆試模擬試卷
　第二部分　口試模擬試卷
　第三部分　筆試模擬試卷聽力理解錄音稿
　第四部分　筆試模擬試卷參考答案

章節(jié)摘錄

　　Today I would like to talk about the early days of moviemaking in the late19th and early 20th centuries. Before the pioneering films of D.W. Griffith's,film-makers were limited by several misguided conventions of the era.According to one, the camera was always fixed at a viewpoint correspondingto that of the spectator in the theater, a position now known as the long shot. Itwas another convention that the position of the camera never changed in themiddle of a scene. In last week's film, we saw how Griffith ignored both theselimiting conventions and brought the camera closer to the actor. This shot, nowknown as the full shot, was considered revolutionary at the time. For Love ofGold was the name of the film in which we saw the first use of the full shot.After progressing from the long shot to the full shot, the next logical step forGriffith was to bring in the camera still closer, in what is now called the close-up. The close-up had been used before, though only rarely and merely as avisual stunt, as for example in Edwin Espoter's The Great Train Robbery, whichwas made in 1903. But not until 1908 in Griffith's movie called After Manyyears was the dramatic potential of the close-up first exploited. In a scene fromAfter Many years that we are about to see, pay special attention to the close-up of Annie Lee's worried face as she awaits her husband's return. In 1908 thisclose-up shocked everyone in the moviemaking world, but Griffith had no timefor argument. He had another surprise even more radical to offer. Immediatelyfollowing the close-up of Annie, he inserted a picture of the object of herthought —— her husband, cast away on a desert isle. This cutting from onescene to another without finishing either of them brought a torrent of criticism.　　……

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