2010年考研英語沖刺預(yù)測試卷

前言

　　高教版2010年考研英語系列叢書，由考研英語大綱修訂的專家和新東方考研英語輔導(dǎo)團隊中的精英教師編寫，可滿足考生全過程復(fù)習(xí)備考的需要，特別適合應(yīng)屆考生和社會考生自學(xué)的需要?！　∫?、《考研英語詞匯速記手冊（新大綱）》是考研英語大綱配套用書。適合考生基礎(chǔ)復(fù)習(xí)階段使用?！?010年考研英語沖刺預(yù)測試卷(含考點精解)》由英語考研大綱制訂和修訂的專家執(zhí)筆，完全按照最新版考研大綱的詞匯表編寫，對原有大綱的詞義作了修訂和補充。并在書后附上大量詞匯練習(xí)題以便考生鞏固記憶。同時我們還在“中國教育考試在線”的名師導(dǎo)航欄目中放了大量的例句供考生參考。　　二、《2010年考研英語歷年真題解析與應(yīng)試對策》全面解析2000-009年考研英語真題及英語科試題的特點、應(yīng)對方法，供考生在復(fù)習(xí)全過程的各階段使用?！?010年考研英語沖刺預(yù)測試卷(含考點精解)》根據(jù)最新考研大綱的要求，總結(jié)了歷年考研英語的命題規(guī)律和復(fù)習(xí)思路，并深入講解考生在答題時所應(yīng)注意的常見錯誤和防范措施?？忌ㄟ^學(xué)習(xí)《2010年考研英語沖刺預(yù)測試卷(含考點精解)》，可以檢測自己的水平，了解試題特點，掌握應(yīng)試方法?！　∪?、《2010年考研英語專項突破（閱讀理解A、B節(jié)）》適合基礎(chǔ)復(fù)習(xí)階段使用，使考生通過大量卓有成效的練習(xí)，能夠鞏固基礎(chǔ)知識、彌補弱項、提升整體英語水平，獲得良好的復(fù)習(xí)效果。此外，書中還詳細介紹了閱讀理解的命題規(guī)律和設(shè)問特點，并對知識點進行精講，包含文章全文翻譯、長難句分析、詞義注釋、常用搭配、解題方法等，最后精選128篇文章（其中新題型40篇文章）供考生演練，試題完全接近真題的難度和水平，讓考生既能鞏固基礎(chǔ)知識，提高復(fù)習(xí)效果，又能逐步適應(yīng)真正考試的難度，這樣在考場上才能發(fā)揮自如。　　四、《2010年考研英語專項突破（英語知識運用、翻譯和寫作）》根據(jù)最新考研大綱的要求，總結(jié)了考研英語知識運用、翻譯、寫作部分的命題規(guī)律和復(fù)習(xí)思路，并讓考生了解回答這幾部分考題時所應(yīng)注意的常見錯誤和防范措施?！?010年考研英語沖刺預(yù)測試卷(含考點精解)》為考生提供大量針對這三項考試內(nèi)容的與全真試卷難度一致的模擬練習(xí)題，讓考生在短期內(nèi)掌握這三項考試內(nèi)容的解題技巧、提高翻譯和寫作水平，節(jié)省考生寶貴的復(fù)習(xí)時間。各部分試題的詞匯量和文章選材、長度、難度都根據(jù)最新大綱進行了調(diào)整。對新題型也著重進行了講解?！　∥?、《2010年考研英語沖刺預(yù)測試卷（含考點精解）》供考生在強化、沖刺階段使用。其中包括新題型精講精練、解題技巧及10右全真模擬試卷。各套試題為作者精心編制，具有典型性、針對性、綜合性等特點，幫助考生進一步鞏固基礎(chǔ)階段所學(xué)的基本理論、基本知識，掌握重點試題，熟悉答題方法，增強應(yīng)試能力?！　榱私o考生提供更多的增值服務(wù)，凡購正版高教版名師導(dǎo)學(xué)考研英語系列圖書的考生都可以登錄“中國教育考試在線”在線做考研英語全真模擬試卷。

內(nèi)容概要

　　《2010年考研英語沖刺預(yù)測試卷（含考點精解）》嚴格按照2010年考研《英語考試大綱》的要求編寫，在體例設(shè)置、內(nèi)容安排、考查目標(biāo)等方面與2010年實際考研試題要求完全一致。本預(yù)測試卷由韓鵬老師字字推敲、精心編撰而成。為考生在最后復(fù)習(xí)階段提供了一套全面的、系統(tǒng)的考研沖刺試卷，使考生進入2010年考研考場時可產(chǎn)生“似曾相識”和“早已做過這道題”的興奮。往屆考生建議：沖刺階段使用，檢測復(fù)習(xí)效果和現(xiàn)階段的水平，力求弄清每一道題的來龍去脈，總結(jié)答錯題的原因?！　　?010年考研英語沖刺預(yù)測試卷（含考點精解）》供考生在強化、沖刺階段使用，其中包括新題型精講精練、解題技巧及10套左右全真模擬試卷。各套試題為作者精心編制，具有典型性、針對性、綜合性等特點，幫助考生進一步鞏固基礎(chǔ)階段所學(xué)的基本理論、基本知識，掌握重點試題，熟悉答題方法，增強應(yīng)試能力。

書籍目錄

模擬試卷一模擬試卷二模擬試卷三模擬試卷四模擬試卷五模擬試卷六模擬試卷七模擬試卷八模擬試卷九模擬試卷十

章節(jié)摘錄

　　Many people believe that America has gone too far in protecting copyright at the expenseof the public good, including, it seems, the commission, which said last year that it saw noneed to lift its own 50-year limit. Its deadline for proposals on copyright law has slipped fromthis year to 2006. But governments are likely to weigh in on the issue. France, Italy and Por-tugal have indicated that they support an extension of the term, and Britain is likely to stickup for its own music major, EMI.　　Although artists and their estates want longer copyright, the big music firms would bene-fit from it the most, especially in the next couple of decades, says Stephen King, chairmanof the Association of United Recording Artists and manager of the Libertines. （45）Now they have wised up about making deals. The best guarantee of financial security——saferthan clinging on to copyright——is hiring a good lawyer early on.　　[A] He is unlikely to produce such a big hit in the near future, so more of his attentionis directed to revising the old song and selling it to more people.　　[ B] Back in the 1950s, he says, performers got only one-tenth of the share of royaltiesthat they do now. For years, artists have, with good reason, accused big record labels ofripping them off.　　[C] This month, early recordings by Elvis himself started to enter Europe s public do-main. Over the next few decades a torrent of the most popular tracks from the Beatles, theRolling Stones and many other artists will become public property in Europe——to the pleasureof fans and the consternation of the music industry.　　[ D ] The music industry also points out that America gives artists almost twice as muchcopyright protection as Europe. America has repeatedly lengthened copyright terms, with thelatest reprieve, the Sonny Bono Copyright Term Extension Act of 1998, giving performersprotection for 95 years after publication.　　[ E] But when the attention is shifted from Europe to America, artists should feel muchbetter because the length of copyright protection there is even shorter. It seems that theAmerican government is more interested in serving the public than the already very rich art-isis.　　[ F] Music executives want the European Commission to protect them from such unwel-come competition by extending the copyright term.　　[ G] And that estimate accounts only for songs up to the end of the 1950s. Far more willbe at risk as music from the 1960s and 1970s moves out of copyright.

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