Speech and Performance in Shakespeare’s Sonnets and Plays莎士比亞十四行詩(shī)和戲劇中的語(yǔ)言和表演

內(nèi)容概要

This analysis of Shakespeare's sonnets in relation to his plays asserts that the language of the sonnets is primarily performative rather than descriptive. It discusses the 1609 quarto of sonnets and the Petrarchan discourses in a selection of plays. David Schalkwyk addresses embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire in the published poems, on the stage and in the context of the early modern period.

書(shū)籍目錄

Acknowledgements  Introduction: the sonnets 1 Performatives: the sonnets, Antony and Cleopatra and As You Like It 2 Embodiment: the sonnets, Love's Labour's Lost, Romeo and Juliet and Twelfth Night 3 Interiority: the sonnets, Hamlet and King Lear 4 Names: the sonnets, Romeo and Juliet, Troilus and Cressida and Othello 5 Transformations: the sonnets and All's Well that Ends Well Conclusion Bibliography Index

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