Masses Nos. 5 And 6 in Full Score (平裝)

內(nèi)容概要

In the autumn of 1819, refreshed from a three-month stay in the Austriancountryside, Franz Schubert returned to Vienna to begin one of his major choralworks, the great Mass in A-fiat Major. Completed three years later, this work hasbeen praised as a grand harmonic adventure with deeply affecting moments of rarepoignance. Along with the Mass No. 6 in E-flat Maior, it is the most performed ofSchubert's masses. The latter work--composed in 1828, the year of his death  wasamong the final musical achievements of Schubert's brief life. It is especiallymemorable for its touching commemoration of the birth of Christ in a hauntinglullaby, and its powerful evocation of the cruel spectacle of the crucifixion.    Both masterworks of church music have been reprinted from the definitive Breitkopf & Hartel Critical Edition of 1884-1897. Separate English translations of the Latin texts are provided.

書(shū)籍目錄

Texts and TranslationsNotes  viiiInstrumentation: Mass No.5Instrumentation: Mass No.6Mass No.5 in A-flat Major (D678)  For solo vocal quartet, chorus and orchestra with organ  [Composed 1819-22.1st edition published 1875; 2nd edition, 1887.]  Kyrie  Gloria  Credo  Sanctus  Benedictus  Agnus Dei  Supplement 1: Cure sancto Spiritu  Supplement II: Second Version of the HosannaMass No.6 in E-flat Major (D950)  For solo vocal quartet,* chorus and orchestra  [Composition begun June 1828.Published 1865.]  Kyrie  Gloria  Credo  Sanctus  Benedictus  Agnus Dei

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